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I’m Shocked! —— Part 1

Look for my new Product Reviews!


Hey sex fans,

Its time to crank things up a notch (or ten)!

To all of you out there who have been writing in to tell me (us) how much you like my (our) product reviews — the Dr Dick Product Review Crew and I say THANK YOU!

To all of you who have been writing in and asking me (us) to please review some stuff for hardcore perverts — the Dr Dick Product Review Crew and I say THANK YOU and WILL DO.

Of course this later group of my audience has been under served.  So far the Dr Dick Review Crew hasn’t ventured very far from the whole vanilla thing.  As much as we’ve loved the products we’ve reviewed so far, one can hardly accuse us of being particularly edgy.  But that ends today.  In fact, the next few reviews will be decidedly on wild side.  And since where we’re goin’ is pretty unfamiliar territory for most of my audience as well as some of my Review Crew, we’ll also be doing some sexual enrichment and education to accompany the reviews.  Think of it as a little kink tutorial.

We begin with Part 1 in this series that will focus on the exceptional products from the very edgy and oh so pervy folks at Paradise Electro Stimulations, PES.

While we all know the joys associated with vibration (just look at how many vibe products we’ve already reviewed), fewer of us know the intense pleasure/pain associated with erotic electro stimulation; or, as those in the know call it, e-stim.

However, that may be changing.  All the evidence out there points to a growing number of people experimenting with e-stim.  The majority of them, 70% or so, use these products for orgasmic pleasure play.  A minority, 30% or so, use the products as part of BDSM, or pain play.  So I guess ya’ll can see how a product line that is this versatile will inevitably enjoy a richly deserved commercial success.

But wait a minute; I can see that I’ve lost a good number of you.  “What in the world is he talkin about?  I never heard of erotic electro stimulation.  What the hell is that?”  Ok, so here’s where my sexual enrichment/education tutorial will come in handy.

Electro stimulation is basically the administration of shocks of electricity in nonconvulsive doses.  The medical industry has been using e-stim for decades mostly for the alleviation of pain and to enhance muscle function.  (TENS unit)  Leave it to the truly creative perverts among us to repurpose this concept to deliver excruciating erotic pleasure and/or delicious erotic pain. And even the most vanilla among us already know that there is often only a very fine line, if there is a line at all, between pleasure and pain.

Electro stimulation enhances nerve impulses providing very different sensations from those produced by a vibrator.  Vibrators can only stimulate the surface.  Electro stimulation merges with one’s natural electrical body impulses to nerve endings.  This triggers enhanced arousal and intense orgasmic response. Ya simply can’t match this intensification using a regular vibrator.c063.jpg

The primary product we well be reviewing over the next few weeks is the PES Power Box (C063) $260.00

Optimally designed to enhance your body’s natural erotic response, the PES Power Box delivers low frequency electrical stimulation to the nerve and muscle tissue in your genital area through a the use of an extensive line of PES Electrodes.

The PES Power Box also allows one to adjust the frequency and pulse rate to attain precisely the desired stimulation.

…full review here

Screw Science: The Futuristic Sex Tech Aiming to Penetrate Your Bedroom

From fully customizable vibrators to bioelectronic headsets, smart sex toys are on the way up. But does personal pleasure necessarily make for better health?


Pleasure is personal, mostly because it has to be, and not least because female scientists continue to face grinding discrimination regardless of their area of research. And when it comes to sexual health, breakthroughs are few and far between: in spite of increasing documentation of associated health risks, birth control hasn’t really been reformulated since the 60s, and last year’s much-anticipated release of Addyi, a pill meant to fix female sexual dysfunction, only worked for ten percent of the women who tried it.

It’s clear that sexual emancipation has not yet been freed from the bedroom. In spite of its roots in scientific misogyny—the vibrator was developed in the 19th century to cure women of hysteria, after all—a swathe of new devices have people looking hopefully to sex tech (or sextech, as it is also known) as the answer to systemic gaps in sexual health. History, it seems, is coming full circle; where the 1960s saw the vibrator de-medicalized and uncoupled from science, today’s consumer market is beginning to see pleasure and health unified in the pursuit of wellness. Yet what we call “sex tech” is tied more to the lucrative sex toy industry—worth $15 billion this year—than it is to scientific institutions, with much of its promise linked to idea that personal pleasure makes for better health.

These days, more people than ever understand that a woman’s ability to understand what turns her on and why is a crucial step in developing a healthy perspective on her sexual life. So it makes sense that we’re seeking out masturbatory experiences that are more tailored than your average stand-in phallus. It’s the driving force behind the popularity of devices like Crescendo, the first-ever fully customizable vibrator, which raised £1.6 million in funding to date and shipped out over 1,000 pre-orders after a successful crowdfunding round.

Designed to cater to the inherent complexities of female arousal, the vibrator can be finely customized, equipped with six motors and the ability to be bent into any favorable shape. An accompanying app allows users to control each motor individually; it remembers favorite behaviors, provides pre-set vibration patterns, and responds to mood-setting music.

“We were inspired by the concept of tech designed for the human, rather than the human having to adapt their behaviour to tech,” says Stephanie Alys, the co-founder of Crescendo creators Mysteryvibe. “Human beings aren’t just unique in terms of our size and how we’re put together genetically, but also in terms of what we like. What turns us on can be different from what turns another person on.”


Mysteryvibe’s flagship product is the Crescendo, a customizable sex toy.

But in spite of the life-improving promises of consumer sex tech, the reality is that official, peer-reviewed studies remain crucial to reforming policy and education. Founded by Dr. Nicole Prause, Liberos Center is one of the few sex-centric research institutions in the United States. Much of its work investigates the relationship between psychology, physiology, and sex, with an emphasis on the hard data that is often lacking in sex tech.

Liberos presses on in a particularly antagonistic climate; the American government is famously skittish about sexual content. Sexual material is banned from government-funded computers, says Prause, making it difficult for researchers to, say, screen porn to test subjects as part of a study on arousal. She adds that congressional bodies actively seek to pull funding from research that addresses the topic head-on—four recent studies that had already been awarded funding were re-opened for assessment because of their sexual content.

“People report having certain types of experiences all the time,” says Prause. “But they’re often poor observers of their own behaviour, and don’t see anyone’s behaviour but their own. They don’t really have that external perspective, which is why I think it’s important to take both a psychological and laboratory approach. For example, in science, people haven’t been verifying that orgasm actually occurs. So we’ve been developing an objective way of measuring that, and of measuring the effects of clitoral stimulation—on how to best capture the contractions that occur through the orgasm.”


Liberos is also investigating the effect of transcranial magnetic stimulation (TMS) and direct current stimulation (tDCS) on sexual responsiveness. Both are non-invasive treatments, meaning anyone seeking a cure for low libido may not require anything more than the use of a headset. TMS holds potential for long-term changes to a person’s sex drive; the technique, which uses a magnetic field generator to produce small electrical currents in the brain, has already been used to treat neuropathic pain and otherwise stubborn cases of major depressive disorder. DCS, on the other hand, uses a headset to deliver a low-intensity electrical charge, stimulating the brain areas where activity spikes at the sight, or touch, of a turn-on.

If using the brain’s electrical signals to control the rest of the body sounds like a dystopian fantasy, the reality is that these medical treatments aren’t far off. Bioelectronic firms are now backed by the likes of Glaxosmithkline and Alphabet, Google’s parent company, and similar applications have already been established for hypertension and sleep apnea, while chronic conditions like asthma, diabetes, and arthritis are targeted for future development.

According to Dr. Karen E. Adams, clinical professor of OBGYN at Oregon Health and Science University, anywhere from 40 to 50 percent of women experience varying degrees of sexual dysfunction. Medication that targets neurotransmitters, like the SSRIs used to treat depression and anxiety, can fluctuate in efficacy depending on the unique makeup of the person using it.

Combined with the trickiness of locking down the nebulousness of desire (and lack thereof), it’s no wonder that Addyi, a failed antidepressant pursued because of its unexpected effect on serotonin levels in female mice, was a flop. Non-sex-specific studies have shown that electrical stimulation can be more adaptive to the brain’s constantly-shifting landscape than medication that interacts with its chemistry. For the 90 percent of women who found Addyi to be a sore disappointment, bioelectronic treatments could soon offer an alternative solution to low sexual responsivity.

“By giving women information about their bodies that they can decide what to do with, we’re enabling more female empowerment,” says Prause. “And by allowing women to decide which aspects of sex they want to be more responsive to, we’re giving people more control, and not with charlatan claims. We actually have good scientific reasons that we think are going to work, that are going to make a difference.”

Yet the field’s burgeoning successes are only as good as the social environment they take hold in. Sociopolitical hurdles notwithstanding, money remains a significant roadblock for developers, as the controversial nature of sex research has many investors shying away from backing new projects in spite of consumer interest. Whether they’re seeking government funding or VC investments, sex start-ups and labs alike are often forced to turn to crowdfunding to raise money for development.

“It’s pretty unsurprising that heavily female-oriented tech products do so well on crowdfunding sites; these are solutions to problems faced by half of the population, that are overlooked by a male-dominated industry where male entrepreneurs are 86 percent more likely to be VC funded than women,” says Katy Young, behavioral analyst at research firm Canvas8. “But the audience is clearly there—Livia, a device which targets nerves in order to stop period pains, raised over $1 million on Indiegogo.”

Outdated sex ed programs, which emphasize procreation and normalize straight male sexuality without addressing female sexual development, are ground zero for unhealthy social perspectives on sex. Acknowledging that change can’t just come from devices alone, New York’s Unbound, a luxury sex toy subscription service, is teaming up with “campus sexpert” app Tabù to bring both sex education and affordable masturbation tools to colleges across the country.

“There’s a national discussion right now surrounding consent, which is 100 percent needed and super important,” says Polly Rodriguez, CEO and co-founder of Unbound. “But for women to be able to engage in sex and address consent as equals, they need to learn about female pleasure—they should understand their own bodies so that when they are engaging in sexual activities with someone else, they know what feels good to them, they know how to communicate that, and they don’t feel uncomfortable about it.”

It’s tempting to buy into the idea of tech as freeing: that the increased presence of smart devices in our lives will help us form healthier habits and a better understanding of our ourselves, or that the availability of medically-approved tech will be a panacea in the intricately fraught landscape of female sexual dysfunction—which is as socially determined as it is biological, and as cultural as it is psychological.

But sex tech is still far from being paradigm-shifting. Its success will be dependent not only on consumer dollars but on government policies and public attitudes; at a level of engagement this intimate, tech is only any good if people feel free to use it.

Complete Article HERE!

Why more and more women are identifying as bisexual

By Megan Todd

This is the pro-LGBT rights image that saw an Italian woman suspended from Facebook after the social media site claimed it violated rules on 'nudity and pornography'

This is the pro-LGBT rights image that saw an Italian woman suspended from Facebook after the social media site claimed it violated rules on ‘nudity and pornography’

The Office of National Statistics has released its latest data on sexual identities in the UK, and some striking patterns jump out – especially when it comes to bisexuality.

The number of young people identifying as bisexual has apparently risen by 45% over the last three years. Women are more likely to identity as bisexual (0.8%) than lesbian (0.7%), whereas men are more likely to report as gay (1.6%) than bisexual (0.5%). That last finding chimes with other studies in the UK and the US – but why should this be?

Women’s sexuality has historically been policed, denied and demonised in very particular ways, and for a woman to be anything other than passively heterosexual has often been considered an outright perversion. Lesbians have historically been seen as a more dangerous breed, a direct challenge to patriarchal structures, perhaps explaining why women may be more likely to self-identify as bisexual. Some research into women’s sexuality has also suggested that women take a more fluid approach to their relationships than men.

But then there’s the more general matter of how much sexual labels still matter to people – and here, the ONS findings really start to get interesting.

Among young people aged between 16 and 24, 1.8% said they identified as bisexual – exceeding, for the first time, the 1.5% who identified as lesbian or gay. In total 3.3% of young people identified as LGB, a significantly higher proportion than the 1.7% of the general population who identified as such. (Just 0.6% of the over-65s did).

In a society that still tends to see the world in often false binaries – man/woman, gay/straight, white/black and so on – how can we explain such a difference?

A pessimistic view of why more young people are identifying as bisexual rather than as gay or lesbian might be that conservative, rigid and polarised understandings of what gender is still hold sway. This, in turn, might also have an impact on attitudes to sexuality, where an investment in a lesbian or gay identity may be more frowned upon than a bisexual one – which in many people’s minds still has a “friendly” relationship with heterosexuality.

And yet it’s clear that identifying as lesbian, gay or bisexual carries less stigma for the younger age group than it does for their elders.


Older generations grew up in a time where any orientation besides heterosexuality was taboo, stigmatised and often criminalised. The lesbian and gay movements of the 1970s and 1980s, inspired by the US’s Civil Rights movement, were often staunchly radical; the concept of the political lesbian, for instance, was a very prominent and powerful one. At the same time, both heterosexual and lesbian and gay communities were also marked by misunderstandings and distrust of bisexuality (in a word, biphobia).

But in the UK at least, gay and lesbian identities have lost a good deal of the political charge they once carried. Once “peripheral”, these sexual categories are well on the way to being normalised and commercialised. Many in the community remember or identify with a more radical era of political lesbianism and gay activism, and many of them are dismayed that non-heterosexuals’ current political battles for equality and recognition are often focused on gaining entry to heterosexual institutions, especially marriage.

Bisexuals march at Pride in London.

Bisexuals march at Pride in London.

But that doesn’t mean people have become more rigid in the ways they think about themselves. So while many in society will be the victims of homophobic and biphobic hate crime, things have improved, at least in terms of state policies.

This, alongside the now extensive reservoir of queer thought on gender and sexual fluidity, and the increasing strength of trans movements, may explain why the younger generation are taking labels such as bisexual, lesbian and gay in greater numbers than their seniors. That celebrities such as Angelina Jolie, Cara Delevigne and Anna Paquin have come out as bisexual in recent years can’t have hurt either.

Beyond labels?

The ONS survey raises empirical questions which are connected to those of identity. It specifically asked questions about sexual identity, rather than exploring the more complicated links between identity, behaviours and desires.

The category “bisexual” is also very internally diverse. Many would argue that there are many different types of bisexuality and other sexual identities which the ONS survey does not explore.

This much is made clear by the National Survey of Sexual Attitudes and Lifestyle (NATSAL), which has taken place every ten years since 1990 and is perhaps the most detailed picture we have of what people do (or don’t do) in bed. It suggests that the number of people who report same-sex experience is much higher than the number of people who identify as gay or bisexual.

Laud Humphreys’ infamous 1970 book Tearoom Trade, a highly controversial ethnographic study of anonymous sex between men in public toilets, showed us that plenty of people who seek out and engage in same-sex sexual contact do not necessarily identify as exclusively gay or even bisexual – in fact, only a small minority of his respondents did.

However far we’ve come, there’s still a social stigma attached to being lesbian/gay/bisexual. That means the statistics we have will be an underestimate, and future surveys will need a much more complicated range of questions to give us a more accurate picture. If we ask the right ones, we might discover we live in a moment where people are exploring their sexualities without feeling the need to label them.

But are we headed towards a point where the hetero/homo binary will collapse, and where gender will play less of a role in sexual preference? Given the continued privilege that comes with a heterosexual identity and the powerful political and emotional history of gay and lesbian identities and movements, I don’t think so.

Still, it seems more people may be growing up with the assumption that sexuality is more complicated than we have previously acknowledged – and that this not need not be a problem.

Complete Article HERE!

Kinky Sex For Stress Relief

BDSM Creates Mindful Mental State To Make You Better In Bed And More Relaxed


your kinks

It’s no secret the Hollywood blockbuster Fifty Shades of Grey and the impending release of the Fifty Shades Darker sequel has sparked our interest in the 6-for-4 deal acronym: Bondage, Discipline, Dominance, Submission, Sadism and Masochism, also known as BDSM. It has become a gateway for sexual experimentation among couples of all ages, steering them away from the conventional “vanilla sex.” Now, a study published in the journal Psychology of Consciousness: Theory, Research, and Practice suggests BDSM not only adds novelty to the bedroom, it can make us more mindful partners in bed.

The intensity and pain associated with BDSM is presumed to do everything but induce stress. However, BDSM is more than just kinky sex; some practices can enhance our psychological well-being, and even have anti-anxiety effects and other mental health benefits. Previous research has found giving or receiving pain can alter blood flow in the brain, and lead to a feeling of living in the here and now, while reducing anxiety.

Now researchers at Northern Illinois University add further evidence that BDSM creates an altered state of mind. Participants in a study who practiced BDSM showed reduced levels of stress, better mood, and a high level of flow, or energized focus.

The transformative effects of bondage are well known within the BDSM community. According to the researchers, people in the BDSM community will often talk about being transported into a state of flow: “the idea that the rest of the world drops away and someone is completely focused on what they’re doing,” said Brad Sagarin, study author, and  professor in the department of psychology at Northern Illinois University, TIME reported.

In the study, Sagarin and his colleagues recruited seven couples who practice BDSM, including: two couples in a long-term relationship; two in polyamorous arrangements; two pairs who are friends; and one pair who met the day of the study. Each person in a pair were assigned to the “top” role (dominant), or the “bottom” role (submissive). The couples were allowed to engage in BDSM for as long as they wanted, with the average encounter lasting roughly an hour.

The researchers observed and marked down the activities that were happening while the couples practiced BDSM. Before and after each session, the researchers measured the participants’ cortisol levels and testosterone, while also measuring their mood, level of stress, sense of closeness, and whether they were experiencing mental flow.

The findings revealed BDSM helped couples become more present in the here and now, or be more mindful of their partner and the situation. Sagarin hypothesizes the intense sensations and the potential restriction of movement could influence someone’s ability to stay in the moment, and really tune in to it. This could potentially help people who otherwise have a hard time getting out of their own head.

Sagarin and his colleagues compared the BDSM-induced altered state of mind to that of pro athletes, prolific novelists, musicians, or anyone who loses themselves in an activity they’re skilled in. For example, scoring a touchdown requires intense focus to make sure it’s done effectively and safely; cracking a whip requires a similar focus. The athlete and the bed partner both transcend to a flow state of energized focus and full enjoyment of what they’re doing — it’s about letting go of the clutter in the mind.

Sandra LaMorgese, a professional dominatrix, refers to the meditative or mindful form of BDSM as “subspace.”

“My submissive clients describe it as an altered state of consciousness in which they feel completely liberated from stress. It’s a practice that allows you to completely let go of internal and external stress so that you can fully immerse yourself in the present moment,” she told The Huffington Post.

While the recent study only looked at BDSM-style sexual encounters, this could also have implications for those with less adventurous sex lives. If people are really focused on each other, and making the experience enjoyable for their partner, similar benefits may be reaped. Sex could be a new way to bring mindfulness into our lives, and even make us better partners in bed.

Next time you decide to get freaky in the sheets, think of your bed as your yoga mat, and meditate your way to better sex.

Complete Article HERE!

Meet The Photographer Using Rope Bondage To Create Incredible Art


Art has a long history of drawing inspiration from the otherwise underground world of BDSM. The custom goes as far back as 1928, when the surrealist artist Man Ray captured an image of a woman sensually reclining while bound in ropes and a harness.

Robert Mapplethorpe famously stunned the ’70s art establishment with his documentation of the S&M play flourishing in certain corners of the gay community. Acclaimed Japanese artist Nobuyoshi Araki made his name with graphic, intensely sexual, and often controversial images of Kinbaku-bi, the ancient Japanese art of “tight binding” or rope play. The list goes on and on…

Contemporary photographer Garth Knight both aligns with and breaks from this complicated tradition. A former engineering student, Knight pursues his lingering interest in forces and mechanisms by creating intricate sculptural rope forms in which human models hang.


While Knight also draws from the kinbaku tradition, his photographs are less corporal and titillating than Araki’s work or your typical bondage art. The focus of Knight’s stunning and meticulous rope suspensions is more on transcendence than the human form.

Konbini spoke with Knight about his vivid rope worlds, his process, and whether he considers his work erotic. Read the full interview below!

Konbini: When did you begin drawing from bondage and shibari in your work? What attracted you to those worlds/forms?

Garth Knight: I have always had a strong affinity with line and had enjoyed playing with rope for practical purposes. In 1999, when I first saw a person being beautifully bound, it was like a revelation.

At that stage I wasn’t particularly interested in or even really aware of erotic bondage, but just seeing the rope and the body combined aesthetically spoke very deeply to me and I knew I had to do it myself.

The mechanics of tying came quite naturally and very easily to me, but the emotional and psychological aspects of rope bondage took a long time to develop. I still feel like there are whole worlds to discover and cultivate in this respect.

There was no internet back then and Japanese rope art (shibari, or kinbaku) was also completely unknown to me. I just started playing around and for many years I was just teaching myself, developing my own style and stumbling around in the dark. When I became aware of kinbaku I was very attracted to it and started incorporating elements of it into my style, though I have always been very careful to make this symbiosis influential rather than a replication.

Garth Knight

How has rope bondage influenced your art?

The more I’ve used rope and tying, the more I’ve learned that my own place in this world is tenuous and unreal and a construct of my mind. This world is connection overlayed with connection which we try and make sense of by building patterns.

When you work with rope, you lay rope onto rope and connection onto connection making an extended and cumulative embrace, forming a vibrating web of touch on the body and in the surrounding space, the connectivity and flow of energy pulsing through the space and the body and our psyches.

It’s a very powerful and sometimes transcendent place to be. It’s compelling and overwhelming and sensual and hypnotic. To release yourself to these emotions, to be able to submit to this, is all facilitated by the constraint of the rope.

Garth Knight

What does your process look like when you are making something like your Blood Consciousness or Vortex series? Who are your models? How long does it take you to finish one of your rope sculptures?

Ideas come mostly in daydreaming states, or while drawing, sketching. The end result is usually very process-driven: I make a start and the work develops organically. Working with the model is usually a very experimental process, working together to find their “place” in the work.

The rope used to tie someone takes up their energy, their sweat and skin and touch and experience. The models are a mixture of my friends and associates, as well as people contacting me who are interested in being part of this process. I choose people who intuitively feel right for that particular image, sometimes this just comes down to serendipity.

Each shoot takes place over several hours. The entire series takes many days to produce, normally stretched out over weeks or months.


Where do you draw or find inspiration? What other artists influence you? What do you draw specifically from the BDSM or bondage world?

The natural world with its constant infinite dance of order and chaos is always my greatest inspiration and ongoing fascination. I am attracted to bonsai and the constraint of form combined with simultaneously attempting to see and bring out the individual plants “true” being.

Surrealist artists like Dali and Man Ray set me on my path early. Escher, Odd Nerdrum, Andy Goldsworthy and Da Vinci are the kind of artists that also rate highly. From the kinbaku world, Kinoko and Kanna are two artists I really admire.

From BDSM specifically, I draw an interest in transcending the body and mind through the use of extreme sensation, and the use of physicality and eroticism as a pathway to awe.



Do you regard your work as erotic or sensual? What do you hope your work conveys about the human body, submission, and constraint?

I’ve brought up a couple of times the erotic and sensual aspects, both in the process and final images, and I definitely find both of these things to be essential elements and integral parts of my work.

In the past, I have avoided talking too much about this aspect, partly because it’s definitely not the only thing the work is about and since it is such a powerful element in people’s perception it can cloud the other aspects. Mostly though I’ve come to realize it’s because I find it very confusing and difficult to extricate some meaningful description of that part of the work using words.



Hopefully, ultimately, I would like to convey that the human body is just a construct for the perception and interaction of the flow of energy which we call consciousness, which moves from the infinite collective unconscious through our momentary singular consciousness to learn and grow and then onto its ultimate dispersal into the collective super-consciousness.

This flow adds to some spiritual momentum which, once it reaches some critical level, will lead to the complete enlightenment of the One which contains us all.

My mind tells me that this thought is ridiculous and just does not add up with what it sees and the physical reality that it has built and fastidiously maintains, and which we are so constrained by and invested in. And yet, when I submit myself entirely to the experience of the creation of art, I do believe this thought to be so.

More of Garth Knight’s work can be found on his website. The “Blood Consciousness” and “Vortex” series are also available in full in Knight’s new book

Complete Article HERE!