[W]onder Woman is one of DC Comic’s most iconic heroes. She’s more popular than ever after the record-smashing success of this year’s Wonder Woman movie. But not many people know about the character’s origins in BDSM and kink.
A new film by director Angela Robinson, Professor Marston and the Wonder Women, hopes to change that.
The sex-positive origins of Wonder Woman
If you’ve ever picked up any of the early edition comics, their raunchiness might come as a surprise. There’s spanking, sadomasochism, bondage and double entendres galore.
The origins of these unorthodox comics can be traced to their creator, psychologist William Moulton Marston, who combined an interest in bondage and submission with feminist principles. In addition to his sex-positive ideals, he believed that women were superior to men and should rule the world.
The comics were created with the help of his wife, Elizabeth Holloway (who came up with the iconic quip, “Suffering Saffo”) and his former student Olive Bryne. The three were in a polyamorous relationship and had four children together.
Robinson’s new film aims to explore the dynamics between the Marstons and Olive Byrne, and shed light on the enormous influence the women in William Marston’s life had on his work. In exploring the sex-positive origins of the Wonder Woman comics, Robinson will touch on the topics of polyamory, bisexuality and feminism, as they were viewed in 1940s America.
The film has a stellar cast and team behind it. Angela Robinson, the film’s director, was behind one of the top queer cult classics of the noughties, D.E.B.S. She’s also been a writer on The L Word and True Blood. Transparent creator, Jill Soloway, is producing the film, which will star Rebecca Hall, Bella Heathcote, and Luke Evans.
Watch the trailer for Professor Marston and the Wonder Women below:
Games of tennis, muddy fields, knocking knees – it’s time to get intimate with the challengers for the Literary Review’s 2016 Bad sex in fiction prize
‘I slide my hands down his back, all along his spine, rutted with bone like mud ridges in a dry field, to the audacious swell below.’
A Doubter’s Almanac by Ethan Canin
The act itself was fervent. Like a brisk tennis game or a summer track meet, something performed in daylight between competitors. The cheap mattress bounced. She liked to do it more than once, and he was usually able to comply. Bourbon was his gasoline. Between sessions, he poured it at the counter while she lay panting on the sheets. Sweat burnished her body. The lean neck. The surprisingly full breasts. He would down another glass and return.
The Tobacconist by Robert Seethaler
He closed his eyes and heard himself make a gurgling sound. And as his trousers slipped down his legs all the burdens of his life to date seemed to fall away from him; he tipped back his head and faced up into the darkness beneath the ceiling, and for one blessed moment he felt as if he could understand the things of this world in all their immeasurable beauty. How strange they are, he thought, life and all of these things. Then he felt Anezka slide down before him to the floor, felt her hands grab his naked buttocks and draw him to her. “Come, sonny boy!” he heard her whisper, and with a smile he let go.
Men Like Air by Tom Connolly
The walkway to the terminal was all carpet, no oxygen. Dilly bundled Finn into the first restroom on offer, locked the cubicle door and pulled at his leather belt. “You’re beautiful,” she told him, going down on to her haunches and unzipping him. He watched her passport rise gradually out of the back pocket of her jeans in time with the rhythmic bobbing of her buttocks as she sucked him. He arched over her back and took hold of the passport before it landed on the pimpled floor. Despite the immediate circumstances, human nature obliged him to take a look at her passport photo.
The Butcher’s Hook by Janet Ellis
When his hand goes to my breasts, my feet are envious. I slide my hands down his back, all along his spine, rutted with bone like mud ridges in a dry field, to the audacious swell below. His finger is inside me, his thumb circling, and I spill like grain from a bucket. He is panting, still running his race. I laugh at the incongruous size of him, sticking to his stomach and escaping from the springing hair below.
Leave Me by Gayle Forman
Once they were in that room, Jason had slammed the door and devoured her with his mouth, his hands, which were everywhere. As if he were ravenous.
And she remembered standing in front of him, her dress a puddle on the floor, and how she’d started to shake, her knees knocking together, like she was a virgin, like this was the first time. Because had she allowed herself to hope, this was what she would’ve hoped for. And now here it was. And that was terrifying.
Jason had taken her hand and placed it over his bare chest, to his heart, which was pounding wildly, in tandem with hers. She’d thought he was just excited, turned on.
It had not occurred to her that he might be terrified, too.
The Day Before Happiness by Erri De Luca
She pushed on my hips, an order that thrust me in. I entered her. Not only my prick, but the whole of me entered her, into her guts, into her darkness, eyes wide open, seeing nothing. My whole body had gone inside her. I went in with her thrusts and stayed still. While I got used to the quiet and the pulsing of my blood in my ears and nose, she pushed me out a little, then in again. She did it again and again, holding me with force and moving me to the rhythm of the surf. She wiggled her breasts beneath my hands and intensified the pushing. I went in up to my groin and came out almost entirely. My body was her gearstick.
Art has a long history of drawing inspiration from the otherwise underground world of BDSM. The custom goes as far back as 1928, when the surrealist artist Man Ray captured an image of a woman sensually reclining while bound in ropes and a harness.
Robert Mapplethorpe famously stunned the ’70s art establishment with his documentation of the S&M play flourishing in certain corners of the gay community. Acclaimed Japanese artist Nobuyoshi Araki made his name with graphic, intensely sexual, and often controversial images of Kinbaku-bi, the ancient Japanese art of “tight binding” or rope play. The list goes on and on…
Contemporary photographer Garth Knight both aligns with and breaks from this complicated tradition. A former engineering student, Knight pursues his lingering interest in forces and mechanisms by creating intricate sculptural rope forms in which human models hang.
While Knight also draws from the kinbaku tradition, his photographs are less corporal and titillating than Araki’s work or your typical bondage art. The focus of Knight’s stunning and meticulous rope suspensions is more on transcendence than the human form.
Konbini spoke with Knight about his vivid rope worlds, his process, and whether he considers his work erotic. Read the full interview below!
Konbini: When did you begin drawing from bondage and shibari in your work? What attracted you to those worlds/forms?
Garth Knight: I have always had a strong affinity with line and had enjoyed playing with rope for practical purposes. In 1999, when I first saw a person being beautifully bound, it was like a revelation.
At that stage I wasn’t particularly interested in or even really aware of erotic bondage, but just seeing the rope and the body combined aesthetically spoke very deeply to me and I knew I had to do it myself.
The mechanics of tying came quite naturally and very easily to me, but the emotional and psychological aspects of rope bondage took a long time to develop. I still feel like there are whole worlds to discover and cultivate in this respect.
There was no internet back then and Japanese rope art (shibari, or kinbaku) was also completely unknown to me. I just started playing around and for many years I was just teaching myself, developing my own style and stumbling around in the dark. When I became aware of kinbaku I was very attracted to it and started incorporating elements of it into my style, though I have always been very careful to make this symbiosis influential rather than a replication.
How has rope bondage influenced your art?
The more I’ve used rope and tying, the more I’ve learned that my own place in this world is tenuous and unreal and a construct of my mind. This world is connection overlayed with connection which we try and make sense of by building patterns.
When you work with rope, you lay rope onto rope and connection onto connection making an extended and cumulative embrace, forming a vibrating web of touch on the body and in the surrounding space, the connectivity and flow of energy pulsing through the space and the body and our psyches.
It’s a very powerful and sometimes transcendent place to be. It’s compelling and overwhelming and sensual and hypnotic. To release yourself to these emotions, to be able to submit to this, is all facilitated by the constraint of the rope.
What does your process look like when you are making something like your Blood Consciousness or Vortex series? Who are your models? How long does it take you to finish one of your rope sculptures?
Ideas come mostly in daydreaming states, or while drawing, sketching. The end result is usually very process-driven: I make a start and the work develops organically. Working with the model is usually a very experimental process, working together to find their “place” in the work.
The rope used to tie someone takes up their energy, their sweat and skin and touch and experience. The models are a mixture of my friends and associates, as well as people contacting me who are interested in being part of this process. I choose people who intuitively feel right for that particular image, sometimes this just comes down to serendipity.
Each shoot takes place over several hours. The entire series takes many days to produce, normally stretched out over weeks or months.
Where do you draw or find inspiration? What other artists influence you? What do you draw specifically from the BDSM or bondage world?
The natural world with its constant infinite dance of order and chaos is always my greatest inspiration and ongoing fascination. I am attracted to bonsai and the constraint of form combined with simultaneously attempting to see and bring out the individual plants “true” being.
Surrealist artists like Dali and Man Ray set me on my path early. Escher, Odd Nerdrum, Andy Goldsworthy and Da Vinci are the kind of artists that also rate highly. From the kinbaku world, Kinoko and Kanna are two artists I really admire.
From BDSM specifically, I draw an interest in transcending the body and mind through the use of extreme sensation, and the use of physicality and eroticism as a pathway to awe.
contact garth@garthknight.com
Do you regard your work as erotic or sensual? What do you hope your work conveys about the human body, submission, and constraint?
I’ve brought up a couple of times the erotic and sensual aspects, both in the process and final images, and I definitely find both of these things to be essential elements and integral parts of my work.
In the past, I have avoided talking too much about this aspect, partly because it’s definitely not the only thing the work is about and since it is such a powerful element in people’s perception it can cloud the other aspects. Mostly though I’ve come to realize it’s because I find it very confusing and difficult to extricate some meaningful description of that part of the work using words.
contact garth@garthknight.com
Hopefully, ultimately, I would like to convey that the human body is just a construct for the perception and interaction of the flow of energy which we call consciousness, which moves from the infinite collective unconscious through our momentary singular consciousness to learn and grow and then onto its ultimate dispersal into the collective super-consciousness.
This flow adds to some spiritual momentum which, once it reaches some critical level, will lead to the complete enlightenment of the One which contains us all.
My mind tells me that this thought is ridiculous and just does not add up with what it sees and the physical reality that it has built and fastidiously maintains, and which we are so constrained by and invested in. And yet, when I submit myself entirely to the experience of the creation of art, I do believe this thought to be so.
More of Garth Knight’s work can be found on his website. The “Blood Consciousness” and “Vortex” series are alsoavailable in full in Knight’s new book.
Reader question: “Why do all old statues have such small penises?”
The reader who sent me this felt that it was a question that was maybe too silly for my blog, but – firstly – there are no questions too silly for this blog, and – secondly – the answer to this question is actually pretty interesting.
By “old statues”, I assume that we’re talking about ancient Greek and Roman statues. We’ll focus ancient Greek statues, as they heavily influenced all other small-penised European sculptures.
Laocoön and His Sons, Greek sculpture, Vatican Museum
There are two main reasons why ancient Greek statues have small penises:
Firstly, they’re flaccid. If you compare their size to most flaccid male penises, they are actually not significantly smaller than real-life penises tend to be.
Secondly, cultural values about male beauty were completely different back then. Today, big penises are seen as valuable and manly, but back then, most evidence points to the fact that small penises were considered better than big ones.
Greek bronze, The Victorious Youth, J. Paul Getty Museum
One of the reasons historians, such as Kenneth Dover in his landmark book Greek Homosexuality, have suggested that small penises were more culturally valued is that large penises were associated with very specific characteristics: foolishness, lust and ugliness. There are actually quite a few ancient Greek sculptures that have enormous penises. Here’s one:
Greek statue of a satyr, Athens Archeological Museum
Here’s another:
A Greek Terracotta figure of Priapus
The first sculpture is of a satyr, and the second is of the Greek god Priapus. Satyrs were mythological creatures that were followers of Dionysus, the god of pleasure and wine. Priapus was a Greek fertility god cursed with a permanent erection, impotence, ugliness and foul-mindedness by Hera. Priapus was actually so despised by the other gods that he was thrown off Mount Olympus.
All representations of large penises in ancient Greek art and literature are associated with foolish, lustful men, or the animal-like satyrs. Meanwhile, the ideal Greek man was rational, intellectual and authoritative. He may still have had a lot of sex, but this was unrelated to his penis size, and his small penis allowed him to remain coolly logical.
Greek bronze, thought to be Poseidon or Zeus, Athens Archeological Museum.
The Greek playwright Aristophanes summarises this attitude in one of his plays, Clouds, where he writes:
“If you do these things I tell you, and bend your efforts to them, you will always have a shining breast, a bright skin, big shoulders, a minute tongue, a big rump and a small prick. But if you follow the practices of today, for a start you’ll have a pale skin, small shoulders, a skinny chest, a big tongue, a small rump, a big prick and a long-winded decree.” (Lines 1010 – 1019, emphasis mine)
Ancient Greek sculptures are all about balance and idealism. Therefore, it makes sense that they wouldn’t have large penises, as this would be considered humorous or grotesque.
The ancient Romans might have been more positive towards large penises, but their sculptures continue the trend of small penises. Later, in Renaissance art, sculptors were very specifically influenced by ancient Greek art and their small penis size.
A famous example of a small penis is Michelangelo’s David (1501 – 04), a Renaissance sculpture from Florence, Italy. There’s an interesting theory for why David’s penis is so small, apart from the Greek influence. In 2005, two Florentine doctors published a paper arguing that David’s penis was shriveled by fear. When viewed from the front, David’s face actually looks frightened and concerned, because of his impending fight with the giant Goliath. The doctors argue that Michelangelo sculpted every detail in David’s body to be consistent with symptoms of fear and tension – including his genitals.
Michelangelo’s David in the Galleria dell’Accademia, Italy
Classical Greek sculpture has been hugely influential for all sculptural representations of the male body in European art, so it’s no wonder that small-penised statues have been the norm throughout most of Western art history. It also shows that our obsession with penis size has always been there, it’s just changed slightly.
The summer holidays are over and we’re all back at the old grind. Bummer, I know. But I have what I think is the antidote. It’s a little something that, I believe, will brighten your day.
Ya’ll know how fond I am of smart and smutty erotica, right?
Ya’ll know that for nearly seven years I produced a podcast series, The Erotic Mind, right?
Ya’ll know that each and every one of these marvelous shows, that feature conversations with erotic artists of every stripe, literary and graphic, are archived right here on my site, right?
Ya’ll know that all you have to do is use the pull-down PODCAST menu in the header to find them, right?
Good, I thought so.
Anyhow today I have something that will sure enough make you sit up and say; “oh boy howdy!”
I want to introduce you to Casa Rodrigo, the 12 person audio play written and directed by award nominee, and my new friend, Johnny Miles.
Like I said, Casa Rodrigo, an audio play featuring 11 characters and a narrator, as well as an extensive sound engineering that transport us, the listening audience, back to Spain and the Caribbean during the mid-1600s, allowing us to feel the dangers and excitement the era had to offer. Four and a half hours of pure aural experience awaits us. The story is richly layered and textured, with effects to help stimulate our senses. It’s an immersive experience not to be missed.
The good folks at Mania Media, the producers of audio play, believe it is important to provide their audience with a great entertainment experience and Casa Rodrigo certainly fits that bill.
Johnny Miles began his writing career in 1985, when his first erotic short story was published by Numbers magazine. Since then, his work has appeared in various adult magazines. After several decades of working in various careers, Johnny re-entered the world of erotica in 2008 with the release of his first full-length novel, Casa Rodrigo. Published by Loose Id, the controversial story was followed by Lauderdale Hearts, Learning To Samba, The Rosas of Spanish Harlem, Yuletide Knights, and Yuletide Knights: A Spring Frost, and The Last Stop: USA, all of which you can find on Johnny’s site.
Johnny has asked me to share with you the first two chapters of the book. You’ll find the links below. And when you’ve finished the sampler, you can mozie on over to Audible to pick up the whole audio play, or Johnny’s site.to snap up the e-book.
The brilliant and big time award-winning author and editor, Sacchi Green is back with us today for Part 2 of her turn on this The Erotic Mind show. Sacchi and I had such a good time together last week and since I had so much more to discuss with her, I invited her to come back today. And she agreed, so YAY for that. I’m also pretty certain she’ll read for us again this week because I plan to beg and beg.
But wait, you didn’t miss Part 1 of our chat, did you? Well not to worry if ya did, because you can find it and all my podcasts in the Podcast Archive right here on my site. All ya gotta do is use the search function in the header; type in Podcast #424 and PRESTO! But don’t forget the #sign when you do your search.
Sacchi invites you to visit her on her site HERE! Her Facebook page is HERE! And her LiveJournal page is HERE!
(Click on the cover art below to enjoy some of Sacchi’s outstanding work)
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
Today’s Podcast is bought to you by: DR DICK’S — HOW TO VIDEO LIBRARY.
I have a tasty treat in store for today’s edition of The Erotic Mind show. We travel to the wilds of western Massachusetts to hobnob with an award-winning author.
As you probably know, this is the series where I chat with noted erotic artists, both visual and literary, from all over the freakin’ world. Today I welcome one of the giants of the world erotica scene. My guest today is none other than the brilliant author and editor, Sacchi Green.
Sacchi invites you to visit her on her site HERE! Her Facebook page is HERE! And her LiveJournal page is HERE!
(Click on the cover art below to enjoy some of Sacchi’s outstanding work)
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
The internationally acclaimed photographer, Scott Church, returns today for another turn on this The Erotic Mind show. As you recall from last week, Scott has a gift for capturing the erotic and I believe this stems from his very enlightened philosophy of human sexuality. Unfortunately, we ran out of time last Wednesday and just when we were getting to the really juicy stuff we had to call it quits. Luckily, Scott agreed to come back today for more probing, as it were. So yay for that!
But wait, you didn’t miss Part 1 of this conversation, did you? Well not to worry if ya did, because you can find it and all my podcasts in the Podcast Archive right here on my site. All ya gotta do is use the search function in the header; type in Podcast #417 and PRESTO! But don’t forget the #sign when you do your search.
His fetish and kink images and pushing his limits;
Equal parts sponge and mirror;
The power of the taboo;
Fetish models and lifestyle fetishists;
Starting out in high school then becoming a combat photographer;
Always a people photographer;
His diverse client base;
Erotic art and pornography;
Those who inspire him.
Scott invites you to visit him on his website HERE! Or find him on Model Mayhem HERE and Tumblr HERE! He’s on Facebook HERE and Twitter HERE!
Click on the thumbnail images below to see a slideshow of some of Scott’s work.
[portfolio_slideshow id=58383]
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
Thanks for indulging me some time away from podcasting over the last couple of weeks. The break was necessary for me to catch up on some very important stuff. But now that I’m back, I’m rarin’ to go. Today, we’re all about The Erotic Mind. As you know this is the show where we chat with ingenious erotic artists of every stripe from all over the freakin’ world. And all these conversations center around one simple premise — trying to uncover something of the creative process involved with this specialized art form.
Today my guest is the internationally acclaimed photographer, Scott Church. He is an extraordinary artist and quite the philosopher too. And his wisdom and sensitivity shine through his brilliant work. I look forward to a thought provoking and entertaining chat.
Scott invites you to visit him on his website HERE! Or find him on Model Mayhem HERE and Tumblr HERE! He’s on Facebook HERE and Twitter HERE!
Click on the thumbnail images below to see a slideshow of some of Scott’s work.
[portfolio_slideshow id=56870]
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
Ryan Edward Scott, photographer par excellence, is here for Part 2 of his turn on The Erotic Mind show! And wait till you see the stunning slideshow of some of his best work that he has prepared for us this week.
But wait, you didn’t miss Part 1 of our chat, did you? Well not to worry if ya did, because you can find it and all my podcasts in the Podcast Archive right here on my site. All ya gotta do is use the search function in the header; type in Podcast #415 and Voilà! But don’t forget the #sign when you do your search.
Ryan invites you to visit him on both of his tumblr sites HERE and HERE! His Facebook page is HERE! And his Pinterest page is HERE!
(Ryan has prepared another beautiful slideshow of some of his work.)
[portfolio_slideshow id=43066]
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
This here is The Erotic Mind show. And as you probably know, this is the series where I chat with noted erotic artists, both visual and literary, from all over the freakin’ world. Today we turn our attention to the visual end of the artistic spectrum because we are about to meet one of the most talented photographers I have had the pleasure of interviewing. My guest today is Ryan Edward Scott.
If that name is unfamiliar to you, it might be because Ryan calls little attention to himself; he lets his work speak for itself. However, if you know anything about erotic photography you have probably seen his work. And wait till you get a load of the samples he has selected for the slideshow in today’s podcast posting. It is pretty astonishing! Don’t miss it.
His photography as an outgrowth of his inner life, and how it infuses his personal life;
The bearded man;
The sensuality of his naturescapes and urbanscapes;
Traveling the world looking for his muse;
His “day job;”
Commissioned work;
His super-religious and sexually repressed early life;
The beginnings of his photography;
Where he finds his models;
Shooting in a studio vs. shooting in natural light.
Ryan invites you to visit him on both of his tumblr sites HERE and HERE! His Facebook page is HERE! And his Pinterest page is HERE!
(Click on the images below for a stunning slideshow of some of Ryan’s work.)
[portfolio_slideshow id=36937]
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
The outstanding author, editor, playwright, and literary curator, Kathleen Warnock is back with us today for Part 2 of her turn on this The Erotic Mind show. Kathleen and I had such a good time together last week and I had so much more to discuss with her, so I asked her to come back today and she agreed. I’m sure she will also read for us again this week because she’s really sweet that way.
But wait, you didn’t miss Part 1 of our chat, did you? Well not to worry if ya did, because you can find it and all my podcasts in the Podcast Archive right here on my site. All ya gotta do is use the search function in the header; type in Podcast #411 and PRESTO! But don’t forget the #sign when you do your search.
What’s up with her Facebook page and Twitter feed;
When she started writing and when the erotic stuff began to show up;
Being a writer herself makes her more sympathetic towards other writers;
Her plays — lesbian characters and lots of kissing;
The differences and similarities between writing fiction and playwriting;
The growing popularity of the fetish and BDSM subgenre of erotica;
The burgeoning transgender subgenre of erotica and the push back from traditionalists;
What she looks for in the erotic art and erotica of others;
Her inspirations and her sexual heroes;
Advice for the novice writer of erotica.
Kathleen reads from the Forward of The Best Lesbian Erotica 2014.
Kathleen invites you to visit her on her beautiful site HERE! Her Facebook page is HERE! And her Twitter feed is HERE!
(Click on the cover art below to discover volumes featuring Kathleen’s work.)
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
Happy St Patty’s Day everybody! Guess what? I have a tasty Irish dish in store for today’s edition of The Erotic Mind show, at least one that comes to us by way of New York City. As you probably know, this is the series where I chat with noted erotic artists, both visual and literary, from all over the freakin’ globe. Today we turn our attention to the literary end of the artistic spectrum because we are about to meet one of the giants of the world erotica scene. My guest today is none other than the brilliant author, editor, playwright, and literary curator, the powerhouse who is Kathleen Warnock.
Kathleen invites you to visit her on her beautiful site HERE! Her Facebook page is HERE! And her Twitter feed is HERE!
(Click on the cover art below to discover volumes featuring Kathleen’s work.)
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
Ya know what? Last week I was so excited to introduce you to my guest that I completely forgot to mention that last week’s podcast marked my 7th anniversary of podcasting. Holy Cow, that’s a lotta podcasting. Hurray for me and all the people who, by their generous donations, make this fun, interesting, and informative sex positive resource available world-wide.
And what better example of the kind of stuff you will find in my podcasts than this The Erotic Mind show. And what better example of the fascinating artists you will find on this show than the very talented, Stan Cole. Who just so happens to be here for Part 2 of his conversation with us about his delightful work.
But wait, you didn’t miss Part 1 of our chat or his first slide show, did you? Well not to worry if ya did, because you can find it and all my podcasts in the Podcast Archive right here on my site. All ya gotta do is use the search function in the header; type in Podcast #407 and PRESTO! But don’t forget the #sign when you do your search.
Stan invites you to visit him on his website HERE! Buy his work HERE! Look for him on Tumblr HERE! And Twitter HERE!
Click on the thumbnail images below to see another slideshow of Stan’s smutty work.
[portfolio_slideshow id=14236]
BE THERE OR BE SQUARE!
Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
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