Tag Archives: Erotica

Meet The Photographer Using Rope Bondage To Create Incredible Art


Art has a long history of drawing inspiration from the otherwise underground world of BDSM. The custom goes as far back as 1928, when the surrealist artist Man Ray captured an image of a woman sensually reclining while bound in ropes and a harness.

Robert Mapplethorpe famously stunned the ’70s art establishment with his documentation of the S&M play flourishing in certain corners of the gay community. Acclaimed Japanese artist Nobuyoshi Araki made his name with graphic, intensely sexual, and often controversial images of Kinbaku-bi, the ancient Japanese art of “tight binding” or rope play. The list goes on and on…

Contemporary photographer Garth Knight both aligns with and breaks from this complicated tradition. A former engineering student, Knight pursues his lingering interest in forces and mechanisms by creating intricate sculptural rope forms in which human models hang.


While Knight also draws from the kinbaku tradition, his photographs are less corporal and titillating than Araki’s work or your typical bondage art. The focus of Knight’s stunning and meticulous rope suspensions is more on transcendence than the human form.

Konbini spoke with Knight about his vivid rope worlds, his process, and whether he considers his work erotic. Read the full interview below!

Konbini: When did you begin drawing from bondage and shibari in your work? What attracted you to those worlds/forms?

Garth Knight: I have always had a strong affinity with line and had enjoyed playing with rope for practical purposes. In 1999, when I first saw a person being beautifully bound, it was like a revelation.

At that stage I wasn’t particularly interested in or even really aware of erotic bondage, but just seeing the rope and the body combined aesthetically spoke very deeply to me and I knew I had to do it myself.

The mechanics of tying came quite naturally and very easily to me, but the emotional and psychological aspects of rope bondage took a long time to develop. I still feel like there are whole worlds to discover and cultivate in this respect.

There was no internet back then and Japanese rope art (shibari, or kinbaku) was also completely unknown to me. I just started playing around and for many years I was just teaching myself, developing my own style and stumbling around in the dark. When I became aware of kinbaku I was very attracted to it and started incorporating elements of it into my style, though I have always been very careful to make this symbiosis influential rather than a replication.

Garth Knight

How has rope bondage influenced your art?

The more I’ve used rope and tying, the more I’ve learned that my own place in this world is tenuous and unreal and a construct of my mind. This world is connection overlayed with connection which we try and make sense of by building patterns.

When you work with rope, you lay rope onto rope and connection onto connection making an extended and cumulative embrace, forming a vibrating web of touch on the body and in the surrounding space, the connectivity and flow of energy pulsing through the space and the body and our psyches.

It’s a very powerful and sometimes transcendent place to be. It’s compelling and overwhelming and sensual and hypnotic. To release yourself to these emotions, to be able to submit to this, is all facilitated by the constraint of the rope.

Garth Knight

What does your process look like when you are making something like your Blood Consciousness or Vortex series? Who are your models? How long does it take you to finish one of your rope sculptures?

Ideas come mostly in daydreaming states, or while drawing, sketching. The end result is usually very process-driven: I make a start and the work develops organically. Working with the model is usually a very experimental process, working together to find their “place” in the work.

The rope used to tie someone takes up their energy, their sweat and skin and touch and experience. The models are a mixture of my friends and associates, as well as people contacting me who are interested in being part of this process. I choose people who intuitively feel right for that particular image, sometimes this just comes down to serendipity.

Each shoot takes place over several hours. The entire series takes many days to produce, normally stretched out over weeks or months.

contact garth@garthknight.com

Where do you draw or find inspiration? What other artists influence you? What do you draw specifically from the BDSM or bondage world?

The natural world with its constant infinite dance of order and chaos is always my greatest inspiration and ongoing fascination. I am attracted to bonsai and the constraint of form combined with simultaneously attempting to see and bring out the individual plants “true” being.

Surrealist artists like Dali and Man Ray set me on my path early. Escher, Odd Nerdrum, Andy Goldsworthy and Da Vinci are the kind of artists that also rate highly. From the kinbaku world, Kinoko and Kanna are two artists I really admire.

From BDSM specifically, I draw an interest in transcending the body and mind through the use of extreme sensation, and the use of physicality and eroticism as a pathway to awe.

contact garth@garthknight.com

contact garth@garthknight.com

Do you regard your work as erotic or sensual? What do you hope your work conveys about the human body, submission, and constraint?

I’ve brought up a couple of times the erotic and sensual aspects, both in the process and final images, and I definitely find both of these things to be essential elements and integral parts of my work.

In the past, I have avoided talking too much about this aspect, partly because it’s definitely not the only thing the work is about and since it is such a powerful element in people’s perception it can cloud the other aspects. Mostly though I’ve come to realize it’s because I find it very confusing and difficult to extricate some meaningful description of that part of the work using words.

contact garth@garthknight.com

contact garth@garthknight.com

Hopefully, ultimately, I would like to convey that the human body is just a construct for the perception and interaction of the flow of energy which we call consciousness, which moves from the infinite collective unconscious through our momentary singular consciousness to learn and grow and then onto its ultimate dispersal into the collective super-consciousness.

This flow adds to some spiritual momentum which, once it reaches some critical level, will lead to the complete enlightenment of the One which contains us all.

My mind tells me that this thought is ridiculous and just does not add up with what it sees and the physical reality that it has built and fastidiously maintains, and which we are so constrained by and invested in. And yet, when I submit myself entirely to the experience of the creation of art, I do believe this thought to be so.

More of Garth Knight’s work can be found on his website. The “Blood Consciousness” and “Vortex” series are also available in full in Knight’s new book

Complete Article HERE!

16 thoughts on ““Why do all old statues have such small penises?””



Close-up of Michelangelo’s David

Reader question: “Why do all old statues have such small penises?”

The reader who sent me this felt that it was a question that was maybe too silly for my blog, but – firstly – there are no questions too silly for this blog, and – secondly – the answer to this question is actually pretty interesting.

By “old statues”, I assume that we’re talking about ancient Greek and Roman statues. We’ll focus ancient Greek statues, as they heavily influenced all other small-penised European sculptures.

Laocoön and His Sons, Greek sculpture, Vatican Museum

Laocoön and His Sons, Greek sculpture, Vatican Museum

There are two main reasons why ancient Greek statues have small penises:

Firstly, they’re flaccid. If you compare their size to most flaccid male penises, they are actually not significantly smaller than real-life penises tend to be.

Secondly, cultural values about male beauty were completely different back then. Today, big penises are seen as valuable and manly, but back then, most evidence points to the fact that small penises were considered better than big ones.

Greek bronze, The Victorious Youth, J. Paul Getty Museum

Greek bronze, The Victorious Youth, J. Paul Getty Museum

One of the reasons historians, such as Kenneth Dover in his landmark book Greek Homosexuality, have suggested that small penises were more culturally valued is that large penises were associated with very specific characteristics: foolishness, lust and ugliness. There are actually quite a few ancient Greek sculptures that have enormous penises. Here’s one:

Greek statue of a satyr, Athens Archeological Museum

Greek statue of a satyr, Athens Archeological Museum

Here’s another:

A Greek Terracotta figure of Priapus

A Greek Terracotta figure of Priapus

The first sculpture is of a satyr, and the second is of the Greek god Priapus. Satyrs were mythological creatures that were followers of Dionysus, the god of pleasure and wine. Priapus was a Greek fertility god cursed with a permanent erection, impotence, ugliness and foul-mindedness by Hera. Priapus was actually so despised by the other gods that he was thrown off Mount Olympus.

All representations of large penises in ancient Greek art and literature are associated with foolish, lustful men, or the animal-like satyrs. Meanwhile, the ideal Greek man was rational, intellectual and authoritative. He may still have had a lot of sex, but this was unrelated to his penis size, and his small penis allowed him to remain coolly logical.

Greek bronze, thought to be Poseidon or Zeus, Athens Archeological Museum.

Greek bronze, thought to be Poseidon or Zeus, Athens Archeological Museum.

The Greek playwright Aristophanes summarises this attitude in one of his plays, Clouds, where he writes:

“If you do these things I tell you, and bend your efforts to them, you will always have a shining breast, a bright skin, big shoulders, a minute tongue, a big rump and a small prick. But if you follow the practices of today, for a start you’ll have a pale skin, small shoulders, a skinny chest, a big tongue, a small rump, a big prick and a long-winded decree.” (Lines 1010 – 1019, emphasis mine)

Ancient Greek sculptures are all about balance and idealism. Therefore, it makes sense that they wouldn’t have large penises, as this would be considered humorous or grotesque.

The ancient Romans might have been more positive towards large penises, but their sculptures continue the trend of small penises. Later, in Renaissance art, sculptors were very specifically influenced by ancient Greek art and their small penis size.

A famous example of a small penis is Michelangelo’s David (1501 – 04), a Renaissance sculpture from Florence, Italy. There’s an interesting theory for why David’s penis is so small, apart from the Greek influence. In 2005, two Florentine doctors published a paper arguing that David’s penis was shriveled by fear. When viewed from the front, David’s face actually looks frightened and concerned, because of his impending fight with the giant Goliath. The doctors argue that Michelangelo sculpted every detail in David’s body to be consistent with symptoms of fear and tension – including his genitals.

Michelangelo’s David in the Galleria dell’Accademia, Italy

Michelangelo’s David in the Galleria dell’Accademia, Italy

Classical Greek sculpture has been hugely influential for all sculptural representations of the male body in European art, so it’s no wonder that small-penised statues have been the norm throughout most of Western art history. It also shows that our obsession with penis size has always been there, it’s just changed slightly.

 Complete Article HERE!

Casa Rodrigo, Yee-ha!

Hey sex fans,

The summer holidays are over and we’re all back at the old grind. Bummer, I know. But I have what I think is the antidote.  It’s a little something that, I believe, will brighten your day.

  • Ya’ll know how fond I am of smart and smutty erotica, right?
  • Ya’ll know that for nearly seven years I produced a podcast series, The Erotic Mind, right?
  • Ya’ll know that each and every one of these marvelous shows, that feature conversations with erotic artists of every stripe, literary and graphic, are archived right here on my site, right?
  • Ya’ll know that all you have to do is use the pull-down PODCAST menu in the header to find them, right?

Good, I thought so.

Anyhow today I have something that will sure enough make you sit up and say; “oh boy howdy!”Casa Rodrigo cover

I want to introduce you to Casa Rodrigo, the 12 person audio play written and directed by award nominee, and my new friend, Johnny Miles.

Like I said, Casa Rodrigo, an audio play featuring 11 characters and a narrator, as well as an extensive sound engineering that transport us, the listening audience, back to Spain and the Caribbean during the mid-1600s, allowing us to feel the dangers and excitement the era had to offer. Four and a half hours of pure aural experience awaits us. The story is richly layered and textured, with effects to help stimulate our senses. It’s an immersive experience not to be missed.

The good folks at Mania Media, the producers of audio play, believe it is important to provide their audience with a great entertainment experience and Casa Rodrigo certainly fits that bill.

Johnny Miles began his writing career in 1985, when his first erotic short story was published by Numbers magazine. Since then, his work has appeared in various adult magazines. After several decades of working in various careers, Johnny re-entered the world of erotica in 2008 with the release of his first full-length novel, Casa Rodrigo. Published by Loose Id, the controversial story was followed by Lauderdale Hearts, Learning To Samba, The Rosas of Spanish Harlem, Yuletide Knights, and Yuletide Knights: A Spring Frost, and The Last Stop: USA, all of which you can find on Johnny’s site.

Johnny has asked me to share with you the first two chapters of the book. You’ll find the links below. And when you’ve finished the sampler, you can mozie on over to Audible to pick up the whole audio play, or Johnny’s site.to snap up the e-book.

Have a ball, ya’ll!

Brit Babes

Brit Babes


Yours truly makes an appearance on the Brit Babes website to talk about The Erotic Mind series.

I am so honored to be featured on this site because I’ve had the pleasure of welcoming the cream of British smut to my show (both Brit Babes and Brit Dudes).  Among them — Kay Jaybee, James Lear, Ashley Lister, KD Grace, Lucy Felthouse, Mike’s Bliss, Bootbrush, Stan Keetley, Alexander, and most recently, Stan Cole.

Thank you all for acknowledging my work as I celebrate yours.

Look for the article HERE!

More of The Erotic Mind of Sacchi Green — Podcast #425 — 07/14/14

Hey sex fans, welcome back.Sacchi Green001

The brilliant and big time award-winning author and editor, Sacchi Green is back with us today for Part 2 of her turn on this The Erotic Mind show. Sacchi and I had such a good time together last week and since I had so much more to discuss with her, I invited her to come back today. And she agreed, so YAY for that. I’m also pretty certain she’ll read for us again this week because I plan to beg and beg.

But wait, you didn’t miss Part 1 of our chat, did you? Well not to worry if ya did, because you can find it and all my podcasts in the Podcast Archive right here on my site. All ya gotta do is use the search function in the header; type in Podcast #424 and PRESTO! But don’t forget the #sign when you do your search.

Sacchi and I discuss:

  • Her nom de plume and writing under her real name;
  • Her beginnings in science fiction and fantasy;
  • What sparks the images that become her erotica;
  • Women With Handcuffs, a little pervy, but oh so believable;
  • The fascinating history of this volume;
  • A straight guy’s interest in lesbian erotica;
  • The appeal of fetish and BDSM erotica;
  • Transgender and gender queer erotica;
  • A person’s sex life being enriched by erotica;
  • Time Well Bent;
  • The people who inspire her and her sexual heroes;
  • Upcoming projects.

Sacchi reads from the Introduction of Women With Handcuffs.

Sacchi invites you to visit her on her site HERE! Her Facebook page is HERE! And her LiveJournal page is HERE!

(Click on the cover art below to enjoy some of Sacchi’s outstanding work)

A Ride to Remember and Other Erotic Stories Girl_Crazy girl-fever-69-stories-of-sudden-sex hard road Lesbian_Lust lesbian-cowboys-erotic-adventures wild-girls-wild-nights-true-lesbian-sex-stories time well bent women in handcuffs


Look for all my podcasts on iTunes. You’ll find me in the podcast section, obviously. Just search for Dr Dick Sex Advice. And don’t forget to subscribe. I wouldn’t want you to miss even one episode.
Today’s Podcast is bought to you by: DR DICK’S — HOW TO VIDEO LIBRARY.