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Dribblin’ Instead of Shootin’?

Name: Alvaro
Gender: Male
Age: 21
Location: Mexico
Hi, I’m concerned because I never shoot when I cum. I dribble. I don’t like the way I cum, can you advice me how to cum shooting?? Is there anything I can do? Is it my fault or I was born with a less powered gun than others?? Sorry to bother. And thx for your help.

The problem you describe is a common one. And the solution is relatively simple. It lies in, of all things, muscle mechanics. An ejaculation is primarily a muscle contraction — built up energy being released — thus the spurt. No spurt, or a dribble most likely indicates poor muscle tone. But there’s an easy and fun solution, or more properly an exercise. Kegel exercises to be precise.

turkey-basterLet’s start at the beginning, which is always a good place to begin, don’t ‘cha know. Your prostate is the source of your ejaculate. You have a handle on that concept, right? Good! Now picture a turkey baster. Imagine your prostate as the bulb on the one end and your dick as stalk with a hole in it at the other end. Picture the baster pointed upward, like your cock with an erection. Imagine the bulb is full of fluid and you need to get that fluid out the bulb, up the stalk and out the hole…just like your spooge when you cum. How ya gonna do that? A firm grasp on the bulb and a hefty squeeze, that’s how!

So Alvaro, if you’re dribblin’ instead of shootin’, your muscles need to be strengthened and toned. And like I said, I have just the right exercises for you.

Anyone who is paying the least bit of attention to the ranting and raving of Dr Dick will fruit_genitalsimmediately be familiar with Kegel exercises. I talk about them a lot. And those who haven’t been paying attention — listen up, you monkeys! Kegel exercises serve to tone and strengthen the pubococcygeus muscle or as we in the know like to call it, the “PC” muscle, which is part of the muscle group at the floor of the pelvis. The health of this muscle group plays a vital role in getting you up and getting you off, as well as in other aspects of healthy genital functioning.

Kegel exercises help increase blood flow to the genital area (getting you up). And Kegel exercises strengthen and tone the muscles that are involved in ejaculation (getting you off). If you exercise this muscle regularly, you’ll gain greater control over the timing and strength of your ejaculations. Kegel exercises can also prevent incontinence and other problems associated with aging, but we’ll save that for another time.

male_anatomy.jpgSo you’re probably saying to yourself, “sure, Dr Dick, I’d like to strengthen my PC muscle, but I never even heard of that muscle, let along know where to fine it.”

Alrighty then, Alvaro, here’s what ya do. Work up a full bladder, the more full your bladder the better. Go to the john and sit on the toilet. (Yeah, just like a girl!) Now let the pee flow. As you’re doin’ that, I want you to interrupt the stream of piss several times before you empty your bladder. The muscle you are using to do this is your PC muscle. Look to distinguish between your PC muscles and your anal sphincter muscles. With a little practice you’ll become adept at separating out these two muscle groups. Actually strengthening all your pelvic muscles is a swell idea, especially for power bottoms, but again we’ll save that topic for another time too.

Now that you have located your PC muscle, you can exercise it at will, even when your bladder is completely empty. First, try squeezing your PC muscles as hard as you can for a count of three seconds. Then relax. Repeat this till you feel the muscles tiring. How fun is this?

I want you to work for both muscle strength and tone. For example, start with five strong prolonged squeezes (5 seconds apiece). Relax. Then do a series of 10 rapid contractions in a row. Doing three sets of each twice a day for a week is your goal. When you are ready to proceed try increasing this to three sets of eight to ten prolonged squeezes and 20 rapid contractions in a set. The advanced Kegeler will be able to vary the type and timing of his PC squeezing; slow clenches to quick flutters.PG-TrainingKitOnly-Promo

If you keep this up, you’ll be shootin’ jizz across the room in no time. And the beauty part of Kegel exercises is you can do them whenever and wherever you like. You can be sitting in a meeting with your boss and be doing your Kegel exercises. You can argue with your boyfriend/girlfriend and be doing your Kegel exercises. You can be watching reruns of Leave It To Beaver with your maiden aunt and be doing your Kegel exercises. Who would have guessed improving your sexual health would be such a pleasure?

If you’re serious about all of this, I have else to share with you. This is The Private Gym. It’s the first interactive, follow-along exercise program that helps men strengthen the muscles that support and control our cock. As men approach age 30, the muscles that support erectile function begin to weaken. By age 40, more than 50% of men experience some form of erectile dysfunction and this number increases to more then 66% as men approach 60 years of age. And for all you bottoms out there, you know how important it is to keep anal muscles in tip-top, pardon the pun, shape. And, just in case you didn’t know, The Private Gym won the coveted Best Health Related Product or Toy of 2014 as compiled by the Dr Dick Review Crew. So how about them apples?

Good luck

Dribble instead of shoot

Name: Jon
Gender: Male
Age: 65
Location: Surrey, B,C, Canada
Dear Dr Dick, I’m on Avodart because of my high PSA reading, as a result my sperm count is now down to zero. I understand it’s the drug’s side effect, is this reversible? I haven’t totally lost interest in sex and still jerk off from time to time. I realize that I need to make adjustments (e.g. becoming a total bottom) and find other body contact pleasures. I’m an attractive Asian and still get lots of attention in Vancouver’s baths. Another recurring menopausal problem I have are hot flashes when sleeping, how long do I put up with it? Love your website! Is Richard Wagner your real name?
Yours, Jon

Thanks for your kind words, Jon. Yes, Richard Wagner is my real name.

To understand your question about the side effects of Avodart; I need to ask you a question. Are you sure you are talking about sperm count? Avodart is a prostate directed medication for men with a high PSA (Prostate Specific Antigen) reading. It has nothing to do with your testicles, which produce your sperm. And how would you know about your sperm count in the first place?

I think you may be speaking about the diminished amount of spooge (ejaculate) you produce while on the drug. That would make much more sense than a depleted sperm count. Because your prostate is responsible, in large part, for the amount of jizz you produce. And since the drug shrinks your prostate, it’s completely understandable that less cum would be an unfortunate side effect of the drug. Is it reversible? I suppose if you stopped taking the drug your prostate might regain its previous vigor, but I wouldn’t hold my breath if I were you. Your age may have a lot to do with this too, but I’ll get to that in a minute.

You probably are also experiencing erection problems on this drug too, right? Some of that is age related, of course. But one of the more unpleasant side effects of this, or any other medication that targets one’s prostate, is the loss of libido and wood. A nice cockring might be helpful. Have you tried one of those little buggers? They also look real nice in the bathhouse, don’t cha know.

You also ask about another recurring menopausal problem — hot flashes. Allow me to help you with some of your vocabulary. Menopause is a female thing. Andropause is the male equivalent. Like menopause, andropause is a result of a decrease in hormone levels, testosterone and androgen in our case, as we age.

Yeah, hot flashes are sure enough a good sign that one is in the throws of andropause. They often disappear on their own. But some people advocate hormone replacement therapy for us older dudes. This is very controversial, however. Many in the medical industry believe the hormone replacement, particularly testosterone, increases the risk of prostate cancer. Personally, I don’t believe this is true. I am unaware of any studies that actually make that correlation. On the other hand, living with diminished hormone levels clearly has some very unpleasant side effects, like the ones you are experiencing.

In the final analysis, each of us needs to make up his own mind about this, weighing all the pros and cons.

Good luck

Why Straight Rural Men Have Gay ‘Bud-Sex’ With Each Other

 

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A lot of men have sex with other men but don’t identify as gay or bisexual. A subset of these men who have sex with men, or MSM, live lives that are, in all respects other than their occasional homosexual encounters, quite straight and traditionally masculine — they have wives and families, they embrace various masculine norms, and so on. They are able to, in effect, compartmentalize an aspect of their sex lives in a way that prevents it from blurring into or complicating their more public identities. Sociologists are quite interested in this phenomenon because it can tell us a lot about how humans interpret thorny questions of identity and sexual desire and cultural expectations.

Last year, NYU Press published the fascinating book Not Gay: Sex Between Straight White Men by the University of California, Riverside, gender and sexuality professor Jane Ward. In it, Ward explored various subcultures in which what could be called “straight homosexual sex” abounds — not just in the ones you’d expect, like the military and fraternities, but also biker gangs and conservative suburban neighborhoods — to better understand how the participants in these encounters experienced and explained their attractions, identities, and rendezvous. But not all straight MSM have gotten the same level of research attention. One relatively neglected such group, argues the University of Oregon sociology doctoral student Tony Silva in a new paper in Gender & Society, is rural, white, straight men (well, neglected if you set aside Brokeback Mountain).

Silva sought to find out more about these men, so he recruited 19 from men-for-men casual-encounters boards on Craigslist and interviewed them, for about an hour and a half each, about their sexual habits, lives, and senses of identity. All were from rural areas of Missouri, Illinois, Oregon, Washington, or Idaho, places known for their “social conservatism and predominant white populations.” The sample skewed a bit on the older side, with 14 of the 19 men in their 50s or older, and most identified exclusively as exclusively or mostly straight, with a few responses along the lines of “Straight but bi, but more straight.”

Since this is a qualitative rather than a quantitative study, it’s important to recognize that the particular men recruited by Silva weren’t necessarily representative of, well, anything. These were just the guys who agreed to participate in an academic’s research project after they saw an ad for it on Craigslist. But the point of Silva’s project was less to draw any sweeping conclusions about either this subset of straight MSM, or the population as a whole, than to listen to their stories and compare them to the narratives uncovered by Ward and various other researchers.

Specifically, Silva was trying to understand better the interplay between “normative rural masculinity” — the set of mores and norms that defines what it means to be a rural man — and these men’s sexual encounters. In doing so, he introduces a really interesting and catchy concept, “bud-sex”:

Ward (2015) examines dudesex, a type of male–male sex that white, masculine, straight men in urban or military contexts frame as a way to bond and build masculinity with other, similar “bros.” Carrillo and Hoffman (2016) refer to their primarily urban participants as heteroflexible, given that they were exclusively or primarily attracted to women. While the participants in this study share overlap with those groups, they also frame their same-sex sex in subtly different ways: not as an opportunity to bond with urban “bros,” and only sometimes—but not always—as a novel sexual pursuit, given that they had sexual attractions all across the spectrum. Instead, as Silva (forthcoming) explores, the participants reinforced their straightness through unconventional interpretations of same-sex sex: as “helpin’ a buddy out,” relieving “urges,” acting on sexual desires for men without sexual attractions to them, relieving general sexual needs, and/or a way to act on sexual attractions. “Bud-sex” captures these interpretations, as well as how the participants had sex and with whom they partnered. The specific type of sex the participants had with other men—bud-sex—cemented their rural masculinity and heterosexuality, and distinguishes them from other MSM.

This idea of homosexual sex cementing heterosexuality and traditional, rural masculinity certainly feels counterintuitive, but it clicks a little once you read some of the specific findings from Silva’s interviews. The most important thing to keep in mind here is that rural masculinity is “[c]entral to the men’s self-understanding.” Quoting another researcher, Silva notes that it guides their “thoughts, tastes, and practices. It provides them with their fundamental sense of self; it structures how they understand the world around them; and it influences how they codify sameness and difference.” As with just about all straight MSM, there’s a tension at work: How can these men do what they’re doing without it threatening parts of their identity that feel vital to who they are?

In some of the subcultures Ward studied, straight MSM were able to reinterpret homosexual identity as actually strengthening their heterosexual identities. So it was with Silva’s subjects as well — they found ways to cast their homosexual liaisons as reaffirming their rural masculinity. One way they did so was by seeking out partners who were similar to them. “This is a key element of bud-sex,” writes Silva. “Partnering with other men similarly privileged on several intersecting axes—gender, race, and sexual identity—allowed the participants to normalize and authenticate their sexual experiences as normatively masculine.” In other words: If you, a straight guy from the country, once in a while have sex with other straight guys from the country, it doesn’t threaten your straight, rural identity as much as it would if instead you, for example, traveled to the nearest major metro area and tried to pick up dudes at a gay bar. You’re not the sort of man who would go to a gay bar — you’re not gay!

It’s difficult here not to slip into the old middle-school joke of “It’s not gay if …” — “It’s not gay” if your eyes are closed, or the lights are off, or you’re best friends — but that’s actually what the men in Silva’s study did, in a sense:

As Cain [one of the interview subjects] said, “I’m really not drawn to what I would consider really effeminate faggot type[s],” but he does “like the masculine looking guy who maybe is more bi.” Similarly, Matt (60) explained, “If they’re too flamboyant they just turn me off,” and Jack noted, “Femininity in a man is a turn off.” Ryan (60) explained, “I’m not comfortable around femme” and “masculinity is what attracts me,” while David shared that “Femme guys don’t do anything for me at all, in fact actually I don’t care for ’em.” Jon shared, “I don’t really like flamin’ queers.” Mike (50) similarly said, “I don’t want the effeminate ones, I want the manly guys … If I wanted someone that acts girlish, I got a wife at home.” Jeff (38) prefers masculinity because “I guess I perceive men who are feminine want to hang out … have companionship, and make it last two or three hours.”

In other words: It’s not gay if the guy you’re having sex with doesn’t seem gay at all. Or consider the preferences of Marcus, another one of Silva’s interview subjects:

A guy that I would consider more like me, that gets blowjobs from guys every once in a while, doesn’t do it every day. I know that there are a lot of guys out there that are like me … they’re manly guys, and doing manly stuff, and just happen to have oral sex with men every once in a while [chuckles]. So, that’s why I kinda prefer those types of guys … It [also] seems that … more masculine guys wouldn’t harass me, I guess, hound me all the time, send me 1000 emails, “Hey, you want to get together today … hey, what about now.” And there’s a thought in my head that a more feminine or gay guy would want me to come around more. […] Straight guys, I think I identify with them more because that’s kinda, like [how] I feel myself. And bi guys, the same way. We can talk about women, there [have] been times where we’ve watched hetero porn, before we got started or whatever, so I kinda prefer that. [And] because I’m not attracted, it’s very off-putting when somebody acts gay, and I feel like a lot of gay guys, just kinda put off that gay vibe, I’ll call it, I guess, and that’s very off-putting to me.

This, of course, is similar to the way many straight men talk about women — it’s nice to have them around and it’s (of course) great to have sex with them, but they’re so clingy. Overall, it’s just more fun to hang out around masculine guys who share your straight-guy preferences and vocabulary, and who are less emotionally demanding.

One way to interpret this is as defensiveness, of course — these men aren’t actually straight, but identify that way for a number of reasons, including “internalized heterosexism, participation in other-sex marriage and childrearing [which could be complicated if they came out as bi or gay], and enjoyment of straight privilege and culture,” writes Silva. After Jane Ward’s book came out last year, Rich Juzwiak laid out a critique in Gawker that I also saw in many of the responses to my Q&A with her: While Ward sidestepped the question of her subjects’ “actual” sexual orientations — “I am not concerned with whether the men I describe in this book are ‘really’ straight or gay,” she wrote — it should matter. As Juzwiak put it: “Given the cultural incentives that remain for a straight-seeming gay, given the long-road to self-acceptance that makes many feel incapable or fearful of honestly answering questions about identity—which would undoubtedly alter the often vague data that provide the basis for Ward’s arguments—it seems that one should care about the wide canyon between what men claim they are and what they actually are.” In other words, Ward sidestepped an important political and rights minefield by taking her subjects’ claims about their sexuality more or less at face value.

There are certainly some good reasons for sociologists and others to not examine individuals’ claims about their identities too critically. But still: Juzwiak’s critique is important, and it looms large in the background of one particular segment of Silva’s paper. Actually, it turned out, some of Silva’s subjects really weren’t all that opposed to a certain level of deeper engagement with their bud-sex buds, at least when it came to their “regulars,” or the men they hooked up with habitually:

While relationships with regulars were free of romance and deep emotional ties, they were not necessarily devoid of feeling; participants enjoyed regulars for multiple reasons: convenience, comfort, sexual compatibility, or even friendship. Pat described a typical meetup with his regular: “We talk for an hour or so, over coffee … then we’ll go get a blowjob and then, part our ways.” Similarly, Richard noted, “Sex is a very small part of our relationship. It’s more friends, we discuss politics … all sorts of shit.” Likewise, with several of his regulars Billy noted, “I go on road trips, drink beer, go down to the city [to] look at chicks, go out and eat, shoot pool, I got one friend I hike with. It normally leads to sex, but we go out and do activities other than we meet and suck.” While Kevin noted that his regular relationship “has no emotional connection at all,” it also has a friendship-like quality, as evidenced by occasional visits and sleepovers despite almost 100 miles of distance. Similarly, David noted, “If my wife’s gone for a weekend … I’ll go to his place and spend a night or two with him … we obviously do things other than sex, so yeah we go to dinner, go out and go shopping, stuff like that.” Jack explained that with his regular “we connected on Craigslist … [and] became good friends, in addition to havin’ sex … we just made a connection … But there was no love at all.” Thus, bud-sex is predicated on rejecting romantic attachment and deep emotional ties, but not all emotion.

Whatever else is going on here, clearly these men are getting some companionship out of these relationships. It isn’t just about sex if you make a point of getting coffee, and especially if you spend nights together, go shopping or out to dinner, and so on. But there are sturdy incentives in place for them to not take that step of identifying, or identifying fully, as gay or bi. Instead, they frame their bud-sex, even when it’s accompanied by other forms of intimacy, in a way that reinforces their rural, straight masculinity.

It’s important to note that this isn’t some rational decision where the men sit down, list the pros and cons, and say, “Well, I guess coming out just won’t maximize my happiness and well-being.” It’s more subtle than that, given the osmosis-like way we all absorb social norms and mores. In all likelihood, when Silva’s subjects say they’re straight, they mean it: That’s how they feel. But it’s hard not to get the sense that maybe some of them would be happier, or would have made different life decisions, if they had had access to a different, less constricted vocabulary to describe what they want — and who they are.

Complete Article HERE!

Meet The Photographer Using Rope Bondage To Create Incredible Art

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Art has a long history of drawing inspiration from the otherwise underground world of BDSM. The custom goes as far back as 1928, when the surrealist artist Man Ray captured an image of a woman sensually reclining while bound in ropes and a harness.

Robert Mapplethorpe famously stunned the ’70s art establishment with his documentation of the S&M play flourishing in certain corners of the gay community. Acclaimed Japanese artist Nobuyoshi Araki made his name with graphic, intensely sexual, and often controversial images of Kinbaku-bi, the ancient Japanese art of “tight binding” or rope play. The list goes on and on…

Contemporary photographer Garth Knight both aligns with and breaks from this complicated tradition. A former engineering student, Knight pursues his lingering interest in forces and mechanisms by creating intricate sculptural rope forms in which human models hang.

gak_0804-jessie-blood-consciou

While Knight also draws from the kinbaku tradition, his photographs are less corporal and titillating than Araki’s work or your typical bondage art. The focus of Knight’s stunning and meticulous rope suspensions is more on transcendence than the human form.

Konbini spoke with Knight about his vivid rope worlds, his process, and whether he considers his work erotic. Read the full interview below!

Konbini: When did you begin drawing from bondage and shibari in your work? What attracted you to those worlds/forms?

Garth Knight: I have always had a strong affinity with line and had enjoyed playing with rope for practical purposes. In 1999, when I first saw a person being beautifully bound, it was like a revelation.

At that stage I wasn’t particularly interested in or even really aware of erotic bondage, but just seeing the rope and the body combined aesthetically spoke very deeply to me and I knew I had to do it myself.

The mechanics of tying came quite naturally and very easily to me, but the emotional and psychological aspects of rope bondage took a long time to develop. I still feel like there are whole worlds to discover and cultivate in this respect.

There was no internet back then and Japanese rope art (shibari, or kinbaku) was also completely unknown to me. I just started playing around and for many years I was just teaching myself, developing my own style and stumbling around in the dark. When I became aware of kinbaku I was very attracted to it and started incorporating elements of it into my style, though I have always been very careful to make this symbiosis influential rather than a replication.

Garth Knight

How has rope bondage influenced your art?

The more I’ve used rope and tying, the more I’ve learned that my own place in this world is tenuous and unreal and a construct of my mind. This world is connection overlayed with connection which we try and make sense of by building patterns.

When you work with rope, you lay rope onto rope and connection onto connection making an extended and cumulative embrace, forming a vibrating web of touch on the body and in the surrounding space, the connectivity and flow of energy pulsing through the space and the body and our psyches.

It’s a very powerful and sometimes transcendent place to be. It’s compelling and overwhelming and sensual and hypnotic. To release yourself to these emotions, to be able to submit to this, is all facilitated by the constraint of the rope.

Garth Knight

What does your process look like when you are making something like your Blood Consciousness or Vortex series? Who are your models? How long does it take you to finish one of your rope sculptures?

Ideas come mostly in daydreaming states, or while drawing, sketching. The end result is usually very process-driven: I make a start and the work develops organically. Working with the model is usually a very experimental process, working together to find their “place” in the work.

The rope used to tie someone takes up their energy, their sweat and skin and touch and experience. The models are a mixture of my friends and associates, as well as people contacting me who are interested in being part of this process. I choose people who intuitively feel right for that particular image, sometimes this just comes down to serendipity.

Each shoot takes place over several hours. The entire series takes many days to produce, normally stretched out over weeks or months.

contact garth@garthknight.com

Where do you draw or find inspiration? What other artists influence you? What do you draw specifically from the BDSM or bondage world?

The natural world with its constant infinite dance of order and chaos is always my greatest inspiration and ongoing fascination. I am attracted to bonsai and the constraint of form combined with simultaneously attempting to see and bring out the individual plants “true” being.

Surrealist artists like Dali and Man Ray set me on my path early. Escher, Odd Nerdrum, Andy Goldsworthy and Da Vinci are the kind of artists that also rate highly. From the kinbaku world, Kinoko and Kanna are two artists I really admire.

From BDSM specifically, I draw an interest in transcending the body and mind through the use of extreme sensation, and the use of physicality and eroticism as a pathway to awe.

contact garth@garthknight.com

contact garth@garthknight.com

Do you regard your work as erotic or sensual? What do you hope your work conveys about the human body, submission, and constraint?

I’ve brought up a couple of times the erotic and sensual aspects, both in the process and final images, and I definitely find both of these things to be essential elements and integral parts of my work.

In the past, I have avoided talking too much about this aspect, partly because it’s definitely not the only thing the work is about and since it is such a powerful element in people’s perception it can cloud the other aspects. Mostly though I’ve come to realize it’s because I find it very confusing and difficult to extricate some meaningful description of that part of the work using words.

contact garth@garthknight.com

contact garth@garthknight.com

Hopefully, ultimately, I would like to convey that the human body is just a construct for the perception and interaction of the flow of energy which we call consciousness, which moves from the infinite collective unconscious through our momentary singular consciousness to learn and grow and then onto its ultimate dispersal into the collective super-consciousness.

This flow adds to some spiritual momentum which, once it reaches some critical level, will lead to the complete enlightenment of the One which contains us all.

My mind tells me that this thought is ridiculous and just does not add up with what it sees and the physical reality that it has built and fastidiously maintains, and which we are so constrained by and invested in. And yet, when I submit myself entirely to the experience of the creation of art, I do believe this thought to be so.


More of Garth Knight’s work can be found on his website. The “Blood Consciousness” and “Vortex” series are also available in full in Knight’s new book

Complete Article HERE!

Powerful fantasy creates jack-off material for horny adolescent

Name: Mike
Gender: Male
Age: 20
Hi, my name is mike I’m 20 and I’m a bisexual. And I have an 8 and half inch uncircumcised cock. And I believe my stepmom has been spying on me. Now do I take the opportunity to have sex with her, or do I let it go. She’s extremely beautiful, very thick with a nice hairy pussy and big titties. I’ve seen her spying on me numerous times. What should I do? Should I drill her or should I not? Let me know.

AS IF, Mike! Nice try though.

I have a good deal of experience working with real issues of intra-family sex, so when your message arrived I knew it was sheer fantasy.

There is so much about your story that is completely unbelievable. First, you start out with way too much information about yourself — your bisexuality and your eight and a half inches of uncut cock. What does that have to do with anything? Unless, of course, you’re flashing your boy meat to your unsuspecting stepmother. But then if you’re flashing her, she can’t be spying on you. More likely, she is revolted by your impudence.

MILF

Second, you don’t give enough information about how the supposed spying occurs. Someone with a real story to tell would have reversed these things. He would have gone into detail about the incident or incidents involving his stepmother and he wouldn’t have volunteered the size and shape of his johnson.

The next mistake you make is the detailed description you volunteer of your super-hot MILF of a step mom — beautiful, thick, hairy pussy, big titties. How would you know she has a hairy pussy unless you’re spying on her? BUSTED!

And say, what’s a 20 year old doing still living at his father’s house anyway? Are you some kind of slacker?

Should you drill your stepmother? Indeed, what could possibly go wrong with a dead-beat son fucking his father’s wife? In your dreams, Mike. In your dreams!

Even though Mike is full of shit, there may be others in my audience who are really struggling with issues of intra-family sex. So I’d like to take this opportunity to discuss this very thorny issue a bit. Incest, particularly the heterosexual type or the adult-to-child type, is considered taboo and a serious crime in nearly every culture, both past and present. There’s plenty of good reason for this, not least of which is issue of inbreeding. But the genetic concerns aside, the most devastating thing about incest is the secrecy. No one violates this universal taboo in the open. The secrecy and the inevitable shame and guilt will, sure as shootin’, destroy a family dynamic.

Even when the intra-family sex is not technically incest — sex between blood relatives — like Mike’s fantasy with his fantasy step mom — the secrecy, the violation of the inherent family bond of trust and the inescapable guilt and shame will destroy the relationship between the perpetrators as well as destroy the family.

If you find yourself in a seductive situation with family member, don’t give in to the temptation. Even a seemingly harmless encounter between consenting adults will inevitably have dire consequences for all concerned.

Finally, because the incest taboo is so strong and so universal it also creates the perfect environment for equally powerful fantasy development. Take Mike as an example. This lad’s fertile imagination, coupled with an overactive libido and too much time on his hands, has created the quintessential jack-off material for horny adolescent. He imagines himself man enough to fish in the same waters as his old man. Titillating whimsy for sure and definitely lots of boy juice will be spilt into wadded up Kleenex. But that’s precisely where it needs to say — as a cherished albeit forbidden fantasy.

Good luck