Men Fake Orgasms, Too, and We Can Blame the Patriarchy

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By Christina Cauterucci

M:F couple

As the punch line of plenty a hackneyed sitcom and amateur stand-up routine, the faked orgasm has long been relegated to the sphere of women’s work. That might be why, every time a new study about men’s feigned orgasms pops up, the internet reels in disbelief.

“WHAT? How did we not know this before?” wondered Cosmopolitan on Friday in response to a new Canadian survey of 230 men age 18 to 29 who’d faked orgasms with their current partners. On average, the men reported pretending to orgasm during a full quarter of their sexual encounters. In 2014, Time Out New York was “surprised” when a “whopping” 30.6 percent of its survey participants (fewer than 100 New York men) admitted to faking orgasms. But that number wasn’t too far off from the results of a 2010 University of Kansas study, which saw 25 percent of its 180 male respondents say they’d faked it. That figure rose to 28 percent when researchers narrowed it down to those men who’d had penile-vaginal sex. Some have used these facts to stir anxiety and self-conscious terror in women who have sex with men: “Has YOUR man ever faked his orgasm?” the Daily Mail asked when the Time Out survey dropped.

Luckily, this new Canadian survey doesn’t lend itself to knee-jerk sexual dread. Instead, it delves into the reasons why men fake orgasms and how those reasons correlate to their relationship satisfaction. Previous studies have shown that men’s rationales for feigning orgasm are not so different from the reasons why women play pretend in bed. Both have reported that they fake because they’re intoxicated, to arouse their partner, and to end sex sooner; the most common reason among both genders is preserving partners’ feelings. This new survey indicates that men who pretend to orgasm because they want to avoid having a talk about their sexual needs are less likely to be satisfied in their relationship and in bed. The study’s authors say these men “might be contributing to [their] own low desire and satisfaction by reinforcing unsatisfying sexual activity by feigning orgasm rather than communicating [their] sexual needs and desires.”

But the root cause of this problem—faked orgasms as sub-ins for honest conversations about sexual desires—lie in gender norms that compel men to strive for unrealistic benchmarks of sexual performance. “The image is that men are always up for sex, which makes you feel under pressure to perform even when you don’t want to,” Harvard urologist Abraham Morgentaler said of men’s reasons for faking.

man:woman love

Those same improbable expectations have given rise to women’s pretend orgasms, too. The authors of a 2010 study that found up to 80 percent of women faked orgasms wrote that women often do so “because their men are so goal-directed they won’t stop until a woman climaxes.” Our social construction of sexual pleasure has pegged men’s orgasms as simple—inevitable, even—and women’s orgasms as complicated reflections of their male partner’s sexual abilities. The authors of the new Canadian survey write that these reductive ideals may encourage men to feign orgasm to “appear normal” and women to fake it so their partners’ egos don’t crumble. In fact, they argue, the entire phenomenon of fake orgasms is a direct result of a patriarchal culture that enforces stringent gender norms:

Orgasm simulation constitutes a “complex emotional response to the intensely patriarchal culture in which women have sex” where the relative invisibility of women’s orgasm contributes to a constant cultural anxiety surrounding its authenticity. This anxiety, coupled with the cultural association of sexual technique with masculinity, creates an obligation for women to meet a standard of loud and exaggerated display of pleasure, providing fertile grounds for orgasm-simulation, which ultimately serve to privilege male sexuality.

At first, the knowledge that men, too, feel so much pressure to orgasm that they sometimes fake it makes the whole concept of the fake orgasm seem less insidious: Women aren’t the only ones who are sometimes more concerned with their partners’ feelings than they are with their own pleasure or desire to stop having sex. But when the rationale rests on gendered expectations, it still serves to uphold roles that form the foundation for toxic masculinity. It also paves the way for the profoundly sad possibility of repeated sexual encounters wherein both partners fake their orgasms to please or impress the other. That specter comes courtesy of a society that prizes orgasm over the complex reality of sexual pleasure.

Complete Article HERE!

How a sex worker helps my wife and I maintain good sexual health

David Heckendorf and his wife Jenni on their wedding day.

David Heckendorf and his wife Jenni on their wedding day.

So, here we go. We are coming out to the nation. Jenni and I have sex with other people. There, it’s done.

But, lets wind back three decades and place this in context.

It is my first job after leaving school. I’m at the Sydney-based Spastic Centre’s sheltered workshop. It seemed very large to a pimply faced 17-year-old fresh from one of the centre’s two special schools. I found the morning tea and lunch breaks in the cafeteria particular daunting when I was one of about 300 wheelchair users trying to be served and assisted to eat before the bell rings to return to the factory floor.

I had seen Jenni at our hostel over the years and she carried an air of importance, with her father being on the board. I soon found her favourite table in the cafeteria. I would try to race to it each day hoping to sit next to her and, perhaps, share a support worker. The time spent together soon extended beyond the lunch table to include activities other than talking.

The mid-’80s in saw a change in the national disability policies from large residential facilities to much smaller group homes spread throughout communities. I was among the first to be de-institutionalised. While Jenni and I weren’t housed together she frequently visited.

After a long courtship, mostly by correspondence, we married on 1 December 1990 in the small university chapel at Armidale NSW, where I was fortunate enough to be accepted to study. Our Byron Bay honeymoon was so delightful that we returned the following year.

We moved to Canberra in search of employment after my degree and to work towards a second qualification. Together, Jenni and I had to survive a number of ‘homes’ that were less than ideal. One was at an Australian National University residence where the bedroom was so small we had to leave our wheelchairs in the public access hallway. In a later house, the bedrooms were not even big enough to accommodate our bed, so we used the living room as a bedroom.

Notwithstanding these challenges, we were doing remarkably well with support from ACT government-funded home care services. That was until September 1, 2008 when Jenni over-balanced transferring from the bed to her wheelchair. She landed awkwardly and broke bones in her left foot, which weren’t properly diagnosed or treated for several months.

This fall had long-lasting consequences on Jenni’s health generally and on our sex lives. Her prolonged and mostly unsuccessful recovery resulted in Jen having further reduced mobility in and out of bed. It meant we had to take extreme care not to touch or bump her foot. We had been fully independent in bed but after the fall the effort involved became too much. We tried different toys and different positions without joy.

Two years after the fall we were at a point where we had to make a decision to either give up on enjoying sex or to investigate the possibility of allowing a third person into our bed.

We were way too young to stop having sex.

Sex is important in most long-term relationships because it increases the pair-bonding by releasing the ‘love hormone’ oxytocin. There is also scientific evidence to suggest that sex has a range of health benefits associated with our immunity, heart, blood pressure, reduced risk of prostate cancer, pain and stress relief.

In early 2011 we arranged for sex worker, Joanne, to begin working with us. With each visit we had to remind ourselves that she wasn’t there to make ‘love’ to us. Rather, in the same way that our support staff ensure that we remain in good physical health – by showering, feeding, and dressing us – Joanne helps us to maintain good sexual health.

Also in 2011 we successfully approached the ACT government to extend the funding of our disability care support to cover these conjugal support services. In December 2015, the National Disability Insurance Scheme (NDIS) agreed that, in our situation, a modest allowance for conjugal support service would be reasonable and necessary.

Jenni and I still enjoy doing a lot of activities together. For instance, we work out at the Spastic Centre’s (now the ‘Cerebral Palsy Alliance’) Canberra gym, challenge each other at online Yahtzee, visit our favourite local cafe for morning coffees, and cuddle up in front of our favourite television shows and movies.

Doubtlessly, sex is critical to all marriages. Our love for one another and shared history means sex is important for our marriage too. And, just as with other activities, we just need the right support to make this part of our life happen.

Complete Article HERE!

How is sensory deprivation used in BDSM?

By Ken Melvoin-Berg

sensory deprivatio in BDSM

Q:

How is sensory deprivation used in BDSM?

A:

Sensory deprivation is a commonly used practice in BDSM (and sensual sexytime, too) that makes us focus on our other senses by depriving us of one or more senses. For example, blindfolds are commonly used to deny us sight, but that forces us to rely on touch, smell, hearing, and taste to guess what is coming next. This is a fun way to make us focus in an unnatural way due to our reliance on all five senses. If we have a blindfold on, our sense of touch feels more intense, we have greater depth in our ability to hear, our sense of smell is more keen, and we can taste things to greater degree.

Sightsensory deprivatio in BDSM2

The sense of sight is the most common form of sensory deprivation because sight is the one sense we rely on more than any other. We have already mentioned blindfolds, the number one go to device in sensory deprivation. There are also ways to limit vision by getting rid of peripheral vision, like a horse with side blinders. Using a mask narrows the scope of our vision to what is in front of us. Hoods are also a common theme in BDSM. They are great for limiting both sight and hearing.

Taste

The sense of taste can’t really be taken away, but we can overwhelm it using foods with an intense flavor. Onions, bitters, sour candies, or mouth wash is a great way to mask the next taste detected in your mouth. Taste and smell go hand in hand. So, if you plug the nose, taste is slightly hampered. For extra fun, learn what parts of the tongue detect what flavor and sadistically overload it. Extreme sour candies placed near the center on the sides of the tongue can overwhelm someone to he point of tears if left long enough.

Smell

The sense of smell can be blocked simply by plugging the nose. As mentioned before, this also affects taste to a minor degree. Using a hood that blocks sight and sound in conjunction with a clothespin on the nose will force your lover to focus all their attention to what they feel on their skin. This intensifies both the good and the bad.

Hearing

sensory deprivatio in BDSM3Hoods, earplugs, and headphones with noise cancelling or loud music are all great ways to limit hearing. To really use hearing to its best effect, pick the same music to use time and again while delving in kinky fun. This does two things. It blocks the sound via loud music. It also trains the mind and body to crave sex or kink when that music comes on. Discordant electronic music has the added benefit of causing mental confusion to the loss of hearing. This is particularly useful during interrogation scenes when you want the submissive to be a bit confused and focus their attention to the other senses.

Touch

Depriving someone of their sense of touch is a bit different compared to the other senses. Skin is the largest organ in the human body. The only way to effectively decrease the sense of touch is to either create a barrier (liquid latex, plastic wrap) or through a topical anesthetic that will numb the skin. Both of these have potential risks you should watch for (low blood pressure, latex allergies, seizure disorders, etc.) before utilizing.sensory deprivatio in BDSM4

Try playing with one or more of these forms of deprivation and then start with some great sensory play to tantalize the senses that are not dulled. Having a blindfold then tickling someone with a feather might just be a little more adventurous than you thought! Have fun and have great sex!

Complete Article HERE!

A Brief History of Homosexuality and Bisexuality in Ancient China

By Zachary Zane

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Bisexuality and homosexuality in Ancient Greece is (relatively) well-documented and understood, but same-sex love and romance in Ancient China is a little more complex and speculative.
Still, there is recorded documentation of same-sex relationships in each of Ancient China’s many dynasties, and there are many things we know about how bisexuality manifested itself during those times. Similar to Greece, there wasn’t a strict divide between “gay,” “straight,” and “bisexual,” and in Ancient Chinese times, it’s believed that same-sex relationships were more commonplace.

To increase your knowledge of queer history, here’s some factoids about bisexuality and homosexuality from the time of Ancient China. (Unsurprisingly, many of the historic accounts of homosexuality take the form of stories/myths, so we’ll share some of those too.)

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Ancient Chinese Terminology

Let’s start with some Classical Chinese terminology, which is quite fascinating. There were two common phrases for men who engage in same-sex relationships in Classical Chinese, which are sometimes (though not often) used today: “The passion of the cut sleeve” (斷袖之癖)  and the “divided peach” (分桃).

Modern Chinese slang is equally as interesting, with Baboon (狒狒) being the literal translation of what Westerners call a bear-chaser and monkey (猴子) being the literal translation of what Westerners call a twink. 0 is also a symbol for bottom (0 is supposed to reference an anus) and 1 is a reference for top (1 being a symbol of the penis). So naturally, .5 means vers.

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The History of the Cut Sleeve and Same-sex Relationships and Intimacy among Emperors of the Han dynasty.

We can probably guess your response when you first read the term “the cut sleeve,” (Is it a euphemism for a circumcised penis?! What does it mean?!) but there’s actually a heartwarming story that explains it. Emperor Ai of the Han Dynasty who ruled from 7 to 1 BC took the throne when he was 20. He was very much known for his homosexual, proclivities, we’ll call them. One morning, Ai’s lover Dong Xian was still asleep in bed, lying on Ai’s robes. Instead of waking Dong Xian, Ai cut off his sleeve to let his lover continue to sleep peacefully.

But Emperor Ai wasn’t the only emperor of the Han Dynasty (206 BC to 220 AD) that had same-sex sexual relationships. The Han records show that nearly every emperor that ruled during the Han Dynasty had same-sex lovers (10 of the 13) in addition to their wives and female concubines.

After the Han Dynasty, ancient Chinese people were more tolerant of same-sex relationships, assuming it didn’t get in the way of eventually marrying (a woman) and starting a family.

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The Tears of Lord Long Yang

Another passionate same-sex love story comes from Lord Long Yang who was lovers with the King of Wei. The two men were fishing, and together they caught an impressively large fish. Then, they happened to catch an even bigger fish, so the king threw away the first one. Suddenly, Long Yang broke out into tears. When the King asked him what was wrong, Long Yang replied that he was afraid he would be treated like the first fish. When the king found someone newer and more impressive, he’d be thrown away too. Moved, the King of Wei issued a decree stating that “Whoever shall dare speak of beauties in my presence will have his whole clan extirpated [destroyed].”

(Isn’t that adorable? I mean, possessive and nuts, but also adorable?) Anyway, that’s why “Long Yang” is a another reference to same-sex love in China.

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In Classical Chinese, the pronouns he, she, and it were written with the same gender-neutral character, tā (他). If only English learned from Classical Chinese, instead of differentiating gender with obnoxious pronouns…

Because of this, there’s more ambiguity with regards to same-sex relationships occurring in classical Chinese texts. Many stories can be read as either homosexual or heterosexual depending on the reader’s desire. Also, many ancient writings were written by men with a female voice (or persona), further complicating as to whether the work was intended to be heterosexual or homosexual.

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The switch of attitudes against same-sex relationships in the 19th century

Ancient Chinese attitudes towards same-sex couples were pretty relaxed (assuming it didn’t interfere with heterosexual marriage and procreation), but of course, that’s not the case with China today. It’s unclear what exactly caused the attitude shift toward same-sex couples, but many scholars credit modern China’s homophobia/biphobia and disapproval of same-sex relationships to the country’s adoption of Western viewpoints of homosexuality.

In the 19th century, the idea of the “modern homosexual” was born in the West, and with it, the birth of the “modern heterosexual” whose behaviors and sexual activities were opposite of the modern homosexual. It’s believed China picked up some of the new Western perspectives concerning homosexuality in the 19th century, which dichotomized sexuality, eventually demonizing same-sex relationships.

Complete Article HERE!

The film making us face the idea disabled people have sex

‘Yes We Fuck’ is an uncompromising look at the reality that disabled people have sex lives too. We caught up with director and disability activist Antonio Centeno to find out more

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Yes We Fuck

As a society we’re becoming more accepting of sexuality in all its guises and forms – and rightly so. 2015 could be seen as the year when trans issues finally broke through into the mainstream after decades spent on the margins of society, while more and more women in particular are joining the sexually fluid revolution. And yet for all of our talk, there’s one conversation that we’re not having – about how disabled people have sex.

Spanish director and disability activist Antonio Centeno wants to tackle this prudishness head-on. His film Yes We Fuck (which is co-directed with Raúl de la Morena) is a no-holds barred look at the world of disabled sexuality, with uncompromising visuals (of people having sex) and a strong sense of moral purpose. Centeno shows human intimacy in all its forms, and what strikes you from watching the film is that the issues faced by disabled people when it comes to their sex lives aren’t so dissimilar to those faced by the rest of the population.

Watching the film, which recently showed at the British Film Institute’s Flare festival, at times makes for uncomfortable viewing. You’re discomfited by the fact that the sexuality depicted on our TVs and in popular culture almost uniformly represents one experience: that of heterosexual intimacy between two able-bodied, cis-gendered people.

Yes We Fuck is an uplifting, refreshing corrective to the narrative that disabled people are in some way sexless, made noble by the struggles they undergo to assimilate into a society that is in many ways ableist. The film isn’t perfect – sections are too long, and while Centeno wants to depict the reality of disabled people having sex, at times the camera lingers too long or in a way that feels intrusive. It’s clear that this is very much a passion project from the fledging director, and one which could perhaps have profited from tauter editing. Nonetheless, it’s rare to see a film which so profoundly makes you confront your own prejudices to recognize that we all of us share a common humanity and a common desire to express that humanity through the most natural act of all – the act of fucking, of course.

To find why we need to get on board with the fact that disabled people fuck like the rest of us, Dazed caught up with Centeno at the BFI. Below is the transcript of our conversation, which has been edited for flow and clarity.

 

Can you give us a bit of background as to why you made Yes We Fuck? Is this an issue that’s particularly close to home for you?

Antonio Centeno: By background I’m an activist and I’ve always advocated for helping disabled people, or those with functional diversity as we prefer to call them, to lead independent lives wherever possible. For us, this is a political issue. If we want people with functional diversity to have real lives – not merely to survive – then we need to be visible sexual beings. We need to break this infantilised image of us as children, to show that people with functional diversity are sexual beings, people who desire and are desired. So by giving them a sexuality, we politicise the issue.

You depict real-life intimacy in the film in a lot of detail. How did you get the participants to trust you?

Antonio Centeno: Many of the people in the film I’d met as activists throughout the years, so they trusted in me and what I was doing. And they understood that the film wasn’t just entertainment, but a political tool to help the change the realities of our society. I mean, of course it was difficult, to expose yourself and put your body out there. But it was only possible because of the trust I enjoyed from them, and the fact they understood what political message we were trying to put out.

What’s the reaction been like?

Antonio Centeno: In my native Spain and internationally there’s been a huge amount of interest and it’s generally been very well received. Some people find it too direct, maybe  there’s too much exposure, and some people thought there were some stories missing as well. But it’s been more difficult getting it out to a wider audience, outside of LGBT and specialist film festivals. And I think this reflects the way in which people with functional diversity live in our society. You know, we live away from the masses, from the general public. We live in ghettos. And by ghettos, I mean special residences, or with families that look after us. We go to special schools, because we have to. We work in special centres. So basically, we live in a parallel world, segregated from other people.

Would you like to see this segregation broken down so everyone is living side-by-side?

Antonio Centeno: Well, I’m not sure about ‘everyone’. I don’t like most people! [Laughs].

The title of the film is quite risque…

Antonio Centeno: In Spain, we have a motto which roughly translates as ‘Fuck as you live, and live as you fuck’. Which means that you can only have your own independent life if you have a sex life which is free, which is independent, which is rich. And you can only have a sex life that is free if you personally are free. If you have a free sex life, you can have a good life. You can fight for your freedom, for your independence. So the film is about how you can show, through sexuality, that people with functional diversity want to live like others, independently, not being cancelled out and made to delegate their decisions through family members or professionals.

What I found interesting about the film is that a lot of the sexual issues that people faced, like guilt or shame, are common to everyone, not just those with functional diversity.

Antonio Centeno: Well, our intention wasn’t just just to show weird people doing weird things. We wanted to deal with general issues, like desire, pleasure, our relationship with our bodies. But basically by focussing on this group of people with functional diversity, we produced this magnifying glass effect…I mean, the issues that they have aren’t so dissimilar from those the rest of the population have. But it’s just magnified in this group.

It’s historically very difficult to depict sex on film. Was this a concern for you? Wanting to show sexuality in a way that was honest without being gratuitous?

Antonio Centeno: Well, I want to start by saying that reality doesn’t exist, as such. We were constructing a reality. And that’s the powerful thing about porn, not that it represents reality but that it constructs reality. If we think about what people think about those with functional diversity, they think that we don’t have sex. So we wanted to put images in the heads of the viewers, so that those images were incompatible with the prejudices that they had.

Is there a danger that we risk sensationalising the issue?

Antonio Centeno: It’s a risk we take, definitely. But if the problem before was people with functional diversity being invisible, and now it’s us being sensationalised, that’s okay with me. For me, it’s important that we construct narratives which don’t just place people with functional diversity between two opposite poles. You know, we have the pariahs, the hopeless people, and then on the other end of the spectrum there’s the hero and it’s all very inspiring, but…I mean, no one actually believes that. It’s reductive. So there are lots of stories that have to be constructed in the middle about people with functional diversity. And that’s what I hope to do.

Complete Article HERE!

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