The Clit Test Is Like The Bechdel Test For Sex Scenes

By Susan Devaney

You’d be hard pressed to find someone who hasn’t watched Meg Ryan apparently reaching climax in a packed diner in When Harry Met Sally, the hit Nora Ephron movie that had everyone talking about faking orgasms back in 1989. Ryan’s infamous performance was for comic effect, but 30 years on, the women behind the Clit Test argue that actual sex scenes are still a long way from a convincing depiction of female pleasure (and what it takes to get there) – which is why they’re hellbent on seeing more realistic portrayals of intercourse on screen.

“Our culture still acts like the clitoris is a kind of secret or just something that might occasionally get involved in sex, but in terms of pleasure, the clit is really the equivalent of the penis,” campaign founder Frances Rayner tells British Vogue. “We’d think it ludicrous for a man to have sex without his penis ever getting a look in. But so often the sex we see on screen ignores the clitoris entirely.” Maybe that’s why, in addition to the iconic fashion moments, women (and men) loved HBO’s Sex And The City. The clitoris frequently cropped up in conversation over brunch (thank you, Samantha Jones), and while the show celebrated all of the good things about sex, it didn’t gloss over the bad and the ugly parts in the process. But SATC sadly left our screens over 16 years ago.

In 2020, TV and film’s portrayal of women’s sexual pleasure needs to catch up with the reality. “Numerous academics have pointed out that this misleading ‘sexual script’ is one of the main reasons women and girls who have sex with men have alarming rates of disappointing, bad and even painful sex,” explains Rayner. One such academic is Professor Elisabeth Lloyd, author of The Case of the Female Orgasm, whose research proves the campaign – which she’s backing – is long overdue. “In both Hollywood films and porn, the sex act is portrayed so it represents only about 6-10 per cent of women’s response,” she says. “That’s how many women have orgasm with plain intercourse, without additional clitoral stimulation. The fact that Hollywood films and porn choose to misrepresent the experience of 90-94 per cent of women needs to change.”

It’s this same frustration that led Rayner (a 34-year-old straight cis woman, who works for a charity in Glasgow), and Irene Tortajada (a 25-year-old cis bi woman, who works for a charity in London), to come together to try to change things. The result is the Clit Test, which celebrates those films and shows that do acknowledge the existence of the clitoris, and its importance. “We worked together for a few months when she [Tortajada] was living in Glasgow and quickly became friends,” says Rayner. “I took a four-day a week job 18 months ago to give me time to finally make the Clit Test happen, as I think the sex script has a really bad impact on women’s lives, and it’s just some outdated nonsense we can easily fix. I’ve grown frustrated with sex scenes I see on TV, which always seemed to involve a woman reaching orgasm through penis-in-vagina sex. Very rarely do they feature the sex acts we know most reliably bring women and people with vulvas to climax – like receiving oral sex, or having their vulva touched with either hands or a vibrator.”

Maybe that’s why the BBC’s TV adaptation of Sally Rooney’s Normal People was heaped with praise for its realistic sex scenes (the book that inspired it also attempts to destigmatise another taboo: period sex). However, the clitoris is never actually mentioned in the show. So, which films and shows do pass the Clit Test? “Michaela Cole’s Chewing Gum is one of my favourites,” says Rayner. “It consistently passes throughout and it’s just such a funny, well-written account of a teenage girl who is both horny and in control, and also very confused by the minimal sex education that she is getting from mainstream porn and friends.”

It’s something Rayner relates to. “My awakening came when I was 20 after I read the Hite Report: A Nationwide Study Of Female Sexuality for a gender studies module at university. In her landmark 1976 study, Shere Hite found that only 1.5 per cent of women masturbated through penetration, whereas 86 per cent said they only ever touched the outside of their vulva. The remaining 12 per cent of women who masturbated did both. I was astonished to learn not only the stats themselves, but the fact that this was widely published at the time. It turned out I was entirely normal – the weird thing was that the definition of what sex is in our culture is something that only works for people with penises.”

Therein lies the issue: most of the sex we see on screen is through a male lens. When women are writing the script, we get to see it laid bare. “Another one I really liked was Aisling Bea’s This Way Up,” says Rayner. “When Freddie and Áine have penetrative sex, after he comes and they lie back down he asks if he can make her come. This shouldn’t be revolutionary, but even just acknowledging that a woman won’t have come from penetration is a huge step forward. There are lots of other good examples like Booksmart, Succession and Orange is the New Black.”

Tortajada and Rayner say they have been showered with “amazingly positive” responses to their campaign. “We’ve had support from Professor Elisabeth Lloyd, Dr Laurie Mintz, a lecturer in human sexuality and author of Becoming Cliterate, Golden Globe and Emmy-winner Rachel Bloom, and bestselling author Holly Bourne,” says Rayner. “A lot of women have reached out on Instagram to say thank you for raising something that is long overdue. We’re keen to make it a positive, inclusive campaign that celebrates women and our sexuality – we more often praise the passes than slate the fails. Ultimately, we want to see more clit-friendly sex acts on screen.”

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